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pro vyhledávání: '"Zsuzsanna Balázs"'
Autor:
Zsuzsanna Balázs
Publikováno v:
Review of Irish Studies in Europe, Vol 5, Iss 2 (2022)
Review of Masculinities and Manhood in Contemporary Irish Drama: Acting the Man, by Cormac O'Brien (Palgrave Macmillan, 2021). ISBN: 978-3-030-84074-7, 292pp., €105.49 (hardcover)
Externí odkaz:
https://doaj.org/article/55c9d44134d14e7e826f889af2007473
Autor:
Zsuzsanna Balázs
Publikováno v:
Studi Irlandesi, Vol 10, Iss 10 (2020)
This paper offers a dramaturgical and comparative analysis of W.B. Yeats’s The Land of Heart’s Desire (1889) and Edward Martyn’s The Heather Field (1899) in light of their representation of the tension between the queer and the normative. I foc
Externí odkaz:
https://doaj.org/article/5a55ef560b2c4f9aa2c1622c8adf2a7e
Autor:
Zsuzsanna Balázs
Publikováno v:
New Theatre Quarterly. 39:82-83
Autor:
Zsuzsanna Balázs
Publikováno v:
International Yeats Studies. 5:89-99
Autor:
Zsuzsanna Balázs
Publikováno v:
International Yeats Studies. 4:15-44
This article opens up Yeats’s Calvary (1920) for new contemporary queer theatrical interpretations by addressing the tension between dramaturgies of exclusion and inclusion as well as between the authority of masculinity and the transgressive count
Autor:
Zsuzsanna Balázs
Queering W. B. Yeats and Gabriele D'Annunzio: Modernist Playwrights challenges the general resistance in scholarship and queer studies to approach Yeats and D'Annunzio through a queer lens because of their controversial affiliations with fascism and
Autor:
Zsuzsanna Balázs
Publikováno v:
Études irlandaises. :61-75
This paper addresses William Butler Yeats’s dramatisation of his life-long interest in the invisible realm and an ideal Irish aristocracy in his five Cuchulain plays. I wish to illustrate how Yeats expresses his increasing ambiguities over the cult