Zobrazeno 1 - 10
of 743
pro vyhledávání: '"Z Hochberg"'
Autor:
Gil Z. Hochberg
Partition--the idea of separating Jews and Arabs along ethnic or national lines--is a legacy at least as old as the Zionist-Palestinian conflict. Challenging the widespread'separatist imagination'behind partition, Gil Hochberg demonstrates the ways i
Autor:
Gil Z. Hochberg
Publikováno v:
ReOrient, Vol 1, Iss 2, Pp 192-223 (2016)
Today, a growing number of French Jews embrace the far-right French Front National party, which has a long history of anti-Semitism – how did we get here? How is it that Jews turn to the French authorities for protection against so-called Muslim an
Externí odkaz:
https://doaj.org/article/25671b5d49ca474b865aaf41a50f6455
Autor:
Gil Z. Hochberg
Publikováno v:
Comparative Studies of South Asia, Africa and the Middle East. 40:43-50
As a contemporary concept, heritage bridges legal discourse and ethical discourse, national affiliations and a global imaginary, colonial pasts and neocolonial presents. The term often circulates beliefs in cultural authenticity, collective memory, a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6b36e0398f5ce1d1e720e8113071da62
https://doi.org/10.1215/1089201x-8186027
https://doi.org/10.1215/1089201x-8186027
Autor:
Gil Z. Hochberg
Publikováno v:
Comparative Literature. 72:19-31
This article is about a recent wave of literary dystopias published in Israel, most of which center on the soon-to-come destruction of the Jewish state. Notable among these are The Third (Ha-shlishi) by Yishai Sarid (2015), Mud (Tit) by Dror Burstein
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b687b37540b4c5945a40cb2ab6c767c4
https://doi.org/10.1215/00104124-7909950
https://doi.org/10.1215/00104124-7909950
Autor:
GIL Z. HOCHBERG
In Becoming Palestine, Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future. She shows how artists such as Jumana Manna, Kamal Aljafari, Lar
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::8f125b9557fdfa945530efdde29fe053
https://doi.org/10.1215/9781478022138
https://doi.org/10.1215/9781478022138
Autor:
Gil Z. Hochberg
Publikováno v:
Comparative Studies of South Asia, Africa and the Middle East. 38:30-42
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::dae22cbdc72a057a4e5d80bf7b425418
https://doi.org/10.1215/1089201x-4389955
https://doi.org/10.1215/1089201x-4389955
Autor:
Gil Z. Hochberg
In Becoming Palestine, Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future. She shows how artists such as Jumana Manna, Kamal Aljafari, Lar
Autor:
Gil Z. Hochberg, Shir Alon
Publikováno v:
boundary 2. 44:179-194
Santiago Slabodsky's Decolonial Judaism: Triumphal Failures of Barbaric Thinking returns to a history of Jewish persecution, but unlike other attempts to trace the tradition of the Jewish “conscious pariah,” it does not aim to identify an “esse
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::830f6e8a47dfcb1d90dbf1c5bddc276c
https://doi.org/10.1215/01903659-4206385
https://doi.org/10.1215/01903659-4206385
Autor:
Gil Z. Hochberg
Publikováno v:
Third Text. 31:533-547
This article engages with three films by the Palestinian director Kamal Aljafari: The Roof (2006, 61 minutes), Port of Memory (2009, 62 minutes), and Recollection (2015, 70 minutes). My rea...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::dfb7f068a09bb71292b3e02bfd11ba36
https://doi.org/10.1080/09528822.2017.1405547
https://doi.org/10.1080/09528822.2017.1405547
Autor:
Gil Z. Hochberg
Publikováno v:
GLQ: A Journal of Lesbian and Gay Studies. 23:279-282
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fff8512fda9aa4f088492dde5891319b
https://doi.org/10.1215/10642684-3750500
https://doi.org/10.1215/10642684-3750500