Zobrazeno 1 - 8
of 8
pro vyhledávání: '"Yu. S. Vainshtein"'
Publikováno v:
Semiconductors. 47:105-109
The fabrication procedure, structure, and optical spectroscopy data for thin composite films based on a fullerene material with a 0.5–10% cadmium-sulfide impurity content are reported. The technology for producing structures with a composition grad
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8a61c62ae429eb8dde68de5cfc69ace1
https://doi.org/10.1134/s1063782613010235
https://doi.org/10.1134/s1063782613010235
Publikováno v:
Semiconductors. 43:1347-1350
It is shown that nanoporous silicon electrochemically fabricated on p-type silicon (1–4 Ω cm) in complete darkness exhibits nearly no photoluminescence in the visible spectral range. Photoluminescence properties appear upon irradiation of a porous
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3b4201e32163336c70431eb8cc0d7b46
https://doi.org/10.1134/s1063782609100169
https://doi.org/10.1134/s1063782609100169
Autor:
Terekhov, V.1 ftt@phys.vsu.ru, Terukov, E.2, Undalov, Yu.2, Parinova, E.1, Spirin, D.1, Seredin, P.1, Minakov, D.1, Domashevskaya, E.1
Publikováno v:
Semiconductors. Feb2016, Vol. 50 Issue 2, p212-216. 5p.
Silicon nanoclusters ncl-Si in a hydrogenated amorphous silicon suboxide matrix a-SiO:H (0 < x < 2).
Autor:
Undalov, Yu.1 undalov@mail.ioffe.ru, Terukov, E.1
Publikováno v:
Semiconductors. Jul2015, Vol. 49 Issue 7, p867-878. 12p.
Publikováno v:
Semiconductors. Feb2013, Vol. 47 Issue 2, p183-202. 20p.
Autor:
Belyakov, L. V.1 Ludvig.Belyakov@mail.ioffe.ru, Vainshtein, Yu. S.1, Goryachev, D. N.1, Sreseli, O. M.1
Publikováno v:
Semiconductors. Oct2009, Vol. 43 Issue 10, p1347-1350. 4p. 1 Black and White Photograph, 5 Graphs.
Publikováno v:
Journal of Nano- & Electronic Physics; 2019, Vol. 11 Issue 3, p1-5, 5p
Autor:
Yuri Tsivian, Richard Taylor
This book examines the development of cinematic form and culture in Russia, from its late nineteenth-century beginnings as a fairground attraction to the early post-Revolutionary years.The author traces the changing perceptions of cinema and its soci
