Zobrazeno 1 - 10
of 38
pro vyhledávání: '"Yngvar Kjus"'
Autor:
Yngvar Kjus, Hendrik Storstein Spilker
Publikováno v:
Norsk Medietidsskrift, Vol 27, Pp 1-10 (2020)
Externí odkaz:
https://doaj.org/article/c2f96f2f34f3469697036a7aa8ff9b51
Autor:
Yngvar Kjus
Publikováno v:
Norsk Medietidsskrift, Vol 18, Pp 68-73 (2011)
Externí odkaz:
https://doaj.org/article/4fcff49a86b245f9848bf991665ed036
Autor:
Vilde Schanke Sundet, Yngvar Kjus
Publikováno v:
Norsk Medietidsskrift, Vol 17, Pp 77-83 (2010)
Externí odkaz:
https://doaj.org/article/ef3f8625ebe348f69f16df471b2df0a6
Autor:
Yngvar Kjus
Publikováno v:
Norsk Medietidsskrift, Vol 13, Pp 220-241 (2006)
Externí odkaz:
https://doaj.org/article/4e100606314b4a33b4649d8dae6d98ee
Autor:
Yngvar Kjus
Publikováno v:
Norsk Medietidsskrift, Vol 12, Pp 214-233 (2005)
Externí odkaz:
https://doaj.org/article/d3119407b75f4debad65a5a2b8dde5da
Autor:
Yngvar Kjus
Publikováno v:
MedieKultur: Journal of Media and Communication Research, Vol 25, Iss 47 (2009)
International trade and cooperation are increasingly affecting what we experience in the national and local media. This development is rapidly evolving with live televised events, like Idols and Dancing with the Stars, and here I pursue why (and how)
Externí odkaz:
https://doaj.org/article/2fa86d6bd8e240f4b7dca71193073c1c
Autor:
Roy Aulie Jacobsen, Yngvar Kjus
Publikováno v:
Nordisk kulturpolitisk tidsskrift. 25:28-42
The EU’s directive on copyright in the digital single market (the DSM directive) has been associated with pervasive transformations in the exploitation of copyright-protected work, particularly by holding online services, such as YouTube, more acco
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::49bfbc730d356ac43afa57b6dfebbfa6
https://doi.org/10.18261/nkt.25.1.3
https://doi.org/10.18261/nkt.25.1.3
Publikováno v:
Estetiske praksiser i den digitale produksjonens tidsalder ISBN: 9788245043501
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fad3e9df3cf99fdc05202956139c17b3
https://doi.org/10.55669/oa140512
https://doi.org/10.55669/oa140512
Autor:
Tore Vagn Lid, Per Israelson, Eivind Røssaak, Hans Kristian S. Rustad, Elena Pérez, Ellen Foyn Bruun, Lykke Guanio-Uluru, Ingvild Hagen Kjørholt, Ingeborg Hjorth, Insa Müller, Anette Homlong Storeide, Synne Skjulstad, Ida Eritsland, Caroline Ugelstad, Susanne Østby Sæther, Hendrik Storstein Spilker, Yngvar Kjus, Håvard Kiberg, Aina Landsverk Hagen, Ingrid M. Tolstad, Sara Berge Lorenzen, Ole Marius Hylland, Bård Kleppe, Nanna Bonde Thylstrup, Pepita Hesselberth
Digitale teknologier og medieplattformer er grunnleggende for kunst- og kulturfeltet i dag, og de griper inn i stadig flere sider av vårt hverdagsliv. Gjennom seksten artikler fra en rekke norske og internasjonale forskere, undersøker Estetiske pra
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::75afbd8ffbfb86886ba7458cf4816f35
https://doi.org/10.55669/oa1405
https://doi.org/10.55669/oa1405
Autor:
Yngvar Kjus
Publikováno v:
European Journal of Cultural Studies. 25:463-478
This article studies the contracts of labels and artists in the 2000s and 2010s in order to understand the conditions for creative work in a predominantly digital environment. It argues that contract negotiation is a key site for the exchange of crea
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b2d94f5a299ba52af5c53d524acfbc58
https://doi.org/10.1177/13675494211044731
https://doi.org/10.1177/13675494211044731