Zobrazeno 1 - 10
of 29
pro vyhledávání: '"Yinka Shonibare"'
Autor:
Zoltán Somhegyi
Publikováno v:
Eidos. A Journal for Philosophy of Culture, Vol 7, Iss 2, Pp 27-35 (2023)
Contemporary artworks are primary sources for a better understanding of the most important issues in our current reality. The complexities of cultural interactions are often thematized in pieces of art using the artistic means of code-switching, and
Externí odkaz:
https://doaj.org/article/bf563b0403e34390971181d41a41e1fa
Autor:
Shirey Heather
Publikováno v:
Open Cultural Studies, Vol 3, Iss 1, Pp 362-372 (2019)
Yinka Shonibare’s Nelson’s Ship in a Bottle, installed on the Fourth Plinth of London’s Trafalgar Square from May 24, 2010, to January 30, 2012, temporarily transformed a space dominated by the 19th-century monumental sculpture of Lord Horatio
Externí odkaz:
https://doaj.org/article/9a79e502eb4c408bbd5aa149573c37f2
Autor:
Harper, Tobias, author
Publikováno v:
From Servants of the Empire to Everyday Heroes : The British Honours System in the Twentieth Century, 2020.
Externí odkaz:
https://doi.org/10.1093/oso/9780198841180.003.0008
Autor:
Wadzanai, Tirimboyi
Text in English
This dissertation reports on a study, which used story telling through installation art in analysing how migration has affected the identity of Shona people of Zimbabwe resulting in a new hybrid identity. This identity morphing h
This dissertation reports on a study, which used story telling through installation art in analysing how migration has affected the identity of Shona people of Zimbabwe resulting in a new hybrid identity. This identity morphing h
Externí odkaz:
http://hdl.handle.net/10500/25337
Autor:
Cembrzyńska, Patrycja
Publikováno v:
Przegląd Humanistyczny / Humanistic Review. 441(06):31-44
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=275044
Akademický článek
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Autor:
RAZAFINDRAKOTO, Fanja
Mémoire de recherche-Double culture.
Ce mémoire examine les contacts, les relations établies entre l’art qualifié d’occidental et les arts actuels d’artistes d’origine africaine pour mettre en évidence l’émergence d’une dualit
Ce mémoire examine les contacts, les relations établies entre l’art qualifié d’occidental et les arts actuels d’artistes d’origine africaine pour mettre en évidence l’émergence d’une dualit
Externí odkaz:
http://hdl.handle.net/1866/26518
Gegenwärtige Kunst sucht nach Lösungsvorschlägen für die Probleme der Zeit und fragt nach den Veränderungen und Verschiebungen in einer globalen Welt. Gewohnte Denk- und Handlungsmuster werden hinterfragt. Současné umění hledá řešení akt
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______8936::e34f40c148e4a3bbe3fd1e1bd78e927f
http://hdl.handle.net/11025/51564
http://hdl.handle.net/11025/51564
Autor:
Heather Shirey
Publikováno v:
Open Cultural Studies, Vol 3, Iss 1, Pp 362-372 (2019)
Yinka Shonibare’s Nelson’s Ship in a Bottle, installed on the Fourth Plinth of London’s Trafalgar Square from May 24, 2010, to January 30, 2012, temporarily transformed a space dominated by the 19th-century monumental sculpture of Lord Horatio
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::37c821741d7ccc4cf3eb48f779f3c604
https://doi.org/10.1515/culture-2019-0031
https://doi.org/10.1515/culture-2019-0031
Autor:
Mendes, Ana Cristina
Publikováno v:
Repositório Científico de Acesso Aberto de Portugal
Repositório Científico de Acesso Aberto de Portugal (RCAAP)
instacron:RCAAP
Repositório Científico de Acesso Aberto de Portugal (RCAAP)
instacron:RCAAP
In the immediate aftermath of George Floyd’s murder on May 25, 2020, global protests against racialized police brutality targeted statues and other public art forms symbolizing racism. Either framed as a “weird global media event” or “global
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::695722fc0b5ce3f05e4e5911460b16d9