Zobrazeno 1 - 10
of 40
pro vyhledávání: '"William Solomon"'
Autor:
Ankur Sinha MBBS, Ravikaran Patti MBBS, Prabhsimranjot Singh MD, William Solomon MD, Yizhak Kupfer MD
Publikováno v:
Journal of Investigative Medicine High Impact Case Reports, Vol 5 (2017)
An 81-year-old male presented to the emergency room with a 3-month history of progressive shortness of breath, productive cough with white sputum, and generalized weakness with 10-pound weight loss in 2 months. On presentation, the patient was afebri
Externí odkaz:
https://doaj.org/article/27a69b3b51eb4afeaaa4d0d35591a691
Autor:
William Solomon
Slapstick comedy landed like a pie in the face of twentieth-century culture. Pratfalls percolated alongside literary modernism throughout the 1920s and 1930s before slapstick found explosive expression in postwar literature, experimental film, and po
Autor:
William Solomon
Publikováno v:
The Routledge Companion to Literature and Class ISBN: 9781003008354
Allegory was infrequently addressed in Depression-era critical debate on the proletarian novel in the US. However, certain leftwing writers in this country demonstrated the political virtues of adopting allegorical strategies. Arna Bontemps’ Black
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c70a3c1e4a8f0fdae60b6d4e4af0c9f4
https://doi.org/10.4324/9781003008354-12
https://doi.org/10.4324/9781003008354-12
Autor:
William Solomon
Publikováno v:
Humor in Modern American Poetry
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6cfe2008c9d29953572942c6cfe6fca3
https://doi.org/10.5040/9781501304620.0008
https://doi.org/10.5040/9781501304620.0008
Autor:
William Solomon
Publikováno v:
Mississippi Quarterly. 68:167-187
Autor:
William Solomon
This chapter follows the full-fledged rise of slapstick modernism in the late 1950s and 1960s. After surveying this field with help from Jack Kerouac's tribute to the Three Stooges in Visions of Cody, the chapter examines Joseph Heller's Catch-22 for
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::572f0dccc2fafae7a6a73ab9392da71a
https://doi.org/10.5406/illinois/9780252040245.003.0008
https://doi.org/10.5406/illinois/9780252040245.003.0008
Autor:
William Solomon
This chapter brings Sergei Eisenstein's concept of “the montage of attractions” to bear on John Dos Passos' Manhattan Transfer (1925). The essence of Eisenstein's approach—the inspiration for which he locates in silent comedy as well as the cir
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ab50e74eee8f096d6120905b31f526b4
https://doi.org/10.5406/illinois/9780252040245.003.0003
https://doi.org/10.5406/illinois/9780252040245.003.0003