Zobrazeno 1 - 10
of 35
pro vyhledávání: '"William Flesch"'
Autor:
William Flesch
Publikováno v:
Oxford Literary Review. 42:52-75
Blanchot uses the word extravagance to mean the unworldliness of both love and literature—a wandering beyond the limits of the world. Extravagance is the standard English translation of Ludwig Binswanger's Verstiegenheit, which means a climbing to
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4034adca4746e9ca641b2e222812f3bd
https://doi.org/10.3366/olr.2020.0293
https://doi.org/10.3366/olr.2020.0293
Autor:
William Flesch
Publikováno v:
Essays in Criticism. 70:130-138
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::eae162765babea719021383a84e38ff9
https://doi.org/10.1093/escrit/cgz025
https://doi.org/10.1093/escrit/cgz025
Autor:
William Flesch
Generosity is an ambiguous quality, William Flesch observes; while receiving gifts is pleasant, gift-giving both displays the wealth and strength of the giver and places the receiver under an obligation. In provocative new readings of Shakespeare, He
Autor:
William Flesch
Publikováno v:
Poetics Today. 37:539-571
In Evolving Hamlet: Seventeenth Century English Tragedy and the Ethics of Natural Selection, Angus Fletcher rightly argues against the idea, enthusiastically embraced by literary Darwinism, that evolution explains how exquisitely the individual mind
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::732d906245f780e2a1e1041095047eb9
https://doi.org/10.1215/03335372-3638054
https://doi.org/10.1215/03335372-3638054
Autor:
William Flesch
Publikováno v:
Writing and constructing the self in Great Britain in the long eighteenth century
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::eeb0bf970069f1e0de601323b523329b
https://doi.org/10.7765/9781526123374.00011
https://doi.org/10.7765/9781526123374.00011
Autor:
William Flesch
Publikováno v:
Novel. 45:6-9
Most philosophical accounts of the puzzle of emotional engagement with characters we know to be fictional treat our emotion as static. This essay argues that it's part of the way humans interact with each other as a social species that a highly dynam
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::107bfaf6d1f86137c8643708a91dee63
https://doi.org/10.1215/00295132-1541288
https://doi.org/10.1215/00295132-1541288
Autor:
Pedro Ponce, Charles Marowitz, Janie Dade Smith, Jeff Bursey, Kevin Sampsell, Sheri Reda, Sascha Feinstein, Warren Woessner, Terry Caesar, Joseph D. Haske, Harold Jaffe, Geoffrey Gatza, Keith Taylor, W. Lawrence Hogue, Michael Lindgren, John Domini, David Kress, L. Timmel Duchamp, William Flesch, William O'Rourke, Alyson Leitch, Davis Schneiderman, Mark Amerika, Liedeke Plate, Robin Truth Goodman, Steven G. Kellman, Jonah Raskin, Christian Moraru, George Held, Jerry Harp, Alexis Pauline Gumbs, Lee Bellavance, Lance Olsen
Publikováno v:
American Book Review. 32:3-7
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ee6ec6ec674dc121a8fdfdc990da0a70
https://doi.org/10.1353/abr.2011.0115
https://doi.org/10.1353/abr.2011.0115