Zobrazeno 1 - 10
of 55
pro vyhledávání: '"William A. Ulmer"'
Autor:
William A. Ulmer
In this work William Ulmer boldly advances our understanding of Shelley's concept of love by exploring eros as a figure for the poet's political and artistic aspirations. Applying a combination of deconstructive, historicist, and psychoanalytic appro
Autor:
William A. Ulmer
Publikováno v:
Studies in Philology. 118:181-206
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4369117315911a3d39d49b48e5e7d08e
https://doi.org/10.1353/sip.2021.0007
https://doi.org/10.1353/sip.2021.0007
Autor:
William A. Ulmer
Publikováno v:
The Wordsworth Circle. 50:583-587
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4f1357bc44ec25eca094f35be1d8b2f6
https://doi.org/10.1086/707042
https://doi.org/10.1086/707042
Autor:
William A. Ulmer
Publikováno v:
Romanticism. 25:169-179
Keats is often approached as a radical ironist whose poetry, in accordance with his theory of Negative Capability, undermines conventional notions of identity and truth. But if Keats's accounts of Negative Capability are returned to their context in
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5797ec7fddea3430fc217781688b44ab
https://doi.org/10.3366/rom.2019.0417
https://doi.org/10.3366/rom.2019.0417
Autor:
William A. Ulmer
Publikováno v:
Studies in Romanticism. 55:449-469
"'Tis to create, and in creating live A being more intense, that we endow With form our fancy, gaining as we give The life we image, even as I do now." Byron, Childe Harold's Pilgrimage, Canto 3 THE CONFIDENCE OF JOHN KEATS's WRITING IN 1819 WAS ACCO
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4439c781f12c122706c93f58ba878c1d
https://doi.org/10.1353/srm.2016.0000
https://doi.org/10.1353/srm.2016.0000
Autor:
Blakely A. Plaster, Yin Lei, Andy C. Huang, Keith J. Kowalczyk, William D. Ulmer, Stephen B. Williams, Channa Amarasekera, Hua-yin Yu, Jim C. Hu, Stuart R. Lipsitz, Nathanael D. Hevelone
Publikováno v:
European urology. 74(5)
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::aedc172790bc9a585219ffe1c3e8ed4c
https://pubmed.ncbi.nlm.nih.gov/21292386
https://pubmed.ncbi.nlm.nih.gov/21292386
Autor:
William A. Ulmer
This book considers Keats's major poems as exercises in Romantic historicism. The poetry's rich allusiveness represents Keats's effort to reclaim the British canon for Cockney revisionism, and reveals Keats characteristically invoking the past to def
Autor:
William A. Ulmer
Publikováno v:
John Keats ISBN: 9783319470832
Chapter 5 reads “Ode on a Grecian Urn” in the context of Robert Benjamin Haydon’s theories about art and in light of Regency notions of “beauty” and “truth” as hallmarks of artistic accomplishment. This redefined historical context allo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::aa3855b2ec6998ac991e0135c7b68aa6
https://doi.org/10.1007/978-3-319-47084-9_5
https://doi.org/10.1007/978-3-319-47084-9_5
Autor:
William A. Ulmer
Publikováno v:
John Keats ISBN: 9783319470832
Chapter 7 shifts the conceptual premises of the Hyperion project from theodicy to tragedy. In Hyperion, Keats’s appropriation of Milton is mediated through Wordsworth’s prior appropriation of Milton in the “Prospectus,” and shows Keats reject
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e361eeb8f71998ace91f8b6fc47671ea
https://doi.org/10.1007/978-3-319-47084-9_7
https://doi.org/10.1007/978-3-319-47084-9_7