Zobrazeno 1 - 10
of 27
pro vyhledávání: '"Wickham Clayton"'
Autor:
Wickham Clayton
Publikováno v:
Transatlantica, Vol 2 (2016)
1970s horror film and exploitation staple, The Toolbox Murders (Dennis Donnelly, 1978), is here used as a case study in incoherent narrative strategy and ideology and explores the incoherencies of this relationship to adapting “true stories.” Thr
Externí odkaz:
https://doaj.org/article/7e46e3455a9c458c852d902f3e17771e
Autor:
Karrȧ Shimabukuro, Wickham Clayton
Horror's pleasures fundamentally hinge on looking backward, either on destabilising trauma, or as a period of comfort and happiness which is undermined by threat. However, this stretches beyond the scares on our screens to the consumption and critici
Autor:
Wickham Clayton
This chapter discusses the death sequences and murder set-pieces in the Friday the 13 th films to show how the combination of sound and editing work together to create perspective. First, the chapter looks at the idea of ‘unverified diegetic sound,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::af05dcd4427eb7e21cc0087131c2deef
https://doi.org/10.14325/mississippi/9781496830319.003.0003
https://doi.org/10.14325/mississippi/9781496830319.003.0003
Autor:
Wickham Clayton
Publikováno v:
SEE! HEAR! CUT! KILL!
This chapter considers the perspective of the viewer who comes into a serialized story. First, the chapter considers the ‘franchise viewer,’ or someone who has seen other films in the series. Second, the chapter looks at the ‘new viewer,’ or
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a3435abb294553027e5bdec0170aec6c
https://doi.org/10.14325/mississippi/9781496830319.003.0004
https://doi.org/10.14325/mississippi/9781496830319.003.0004
Autor:
Wickham Clayton
Publikováno v:
SEE! HEAR! CUT! KILL!
This chapter considers discussions and categories for different forms of the eye/camera shot as they appear in the Friday the 13th series. First, there is an analysis of the criticism of the use of first-person camera shots in horror, and areas this
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ca455b3e7c3d05a4b3b70d6a2579f848
https://doi.org/10.14325/mississippi/9781496830319.003.0002
https://doi.org/10.14325/mississippi/9781496830319.003.0002
Autor:
Wickham Clayton
Publikováno v:
SEE! HEAR! CUT! KILL!
This chapter goes deeper into understanding the background of the project, as well as the primary concept of perspective as it is used throughout the book. Then, the chapter explores the history of horror cinema through perspective. The chapter goes
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::49fe61fd8d6d35f0907847f0471fcd7b
https://doi.org/10.14325/mississippi/9781496830319.003.0001
https://doi.org/10.14325/mississippi/9781496830319.003.0001
Autor:
Wickham Clayton
With three credited scriptwriters and five credited directors, the 1967 release of Casino Royale saw a gang of multifaceted James Bond 007s facing off against an army of beautiful, hypersexualised, personality-less female spies, headed by the real Ja
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d3e9d2c6734cfe77f2d51af2a6af7935
https://doi.org/10.1108/978-1-83867-165-520201007
https://doi.org/10.1108/978-1-83867-165-520201007
Autor:
Wickham Clayton
Publikováno v:
Science Fiction Film & Television. 10:177-196
Stephen King’s work, highly informed and influenced by sf traditions of the 1950s and 1960s, often fuses these sensibilities with the genre for which he has become known, horror. This has resulted in a very specific genre hybrid that King has used
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::dc326020a4126f625338ea7e183f2ff1
https://doi.org/10.3828/sfftv.2017.12
https://doi.org/10.3828/sfftv.2017.12
Autor:
Wickham Clayton
Within the body of Biblical epics made from 2004 onwards, a few films are directly inspired by the Bible, but not adapted from specific events. Two such films focus on elliptical periods in the narrative of Jesus; events set during periods of time br
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::642ec15ceaaf6020d324fa139a03b908
https://doi.org/10.7765/9781526136589.00020
https://doi.org/10.7765/9781526136589.00020