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Autor:
Khara Lukancic
Publikováno v:
Film & History: An Interdisciplinary Journal. 52:49-51
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::38af4da807f198ed0180b58f5f2620b6
https://doi.org/10.1353/flm.2022.0013
https://doi.org/10.1353/flm.2022.0013
Autor:
Alissa Burger
Publikováno v:
Journal of Popular Film and Television. 49:236-237
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1d81ef81abed6421ba14e47c51ceebb2
https://doi.org/10.1080/01956051.2021.1987834
https://doi.org/10.1080/01956051.2021.1987834
Autor:
Karrȧ Shimabukuro, Wickham Clayton
Horror's pleasures fundamentally hinge on looking backward, either on destabilising trauma, or as a period of comfort and happiness which is undermined by threat. However, this stretches beyond the scares on our screens to the consumption and critici
Autor:
Wickham Clayton
Publikováno v:
Transatlantica, Vol 2 (2016)
1970s horror film and exploitation staple, The Toolbox Murders (Dennis Donnelly, 1978), is here used as a case study in incoherent narrative strategy and ideology and explores the incoherencies of this relationship to adapting “true stories.” Thr
Externí odkaz:
https://doaj.org/article/7e46e3455a9c458c852d902f3e17771e
Autor:
Burger, Alissa1
Publikováno v:
Journal of Popular Film & Television. Oct-Dec 2021, Vol. 49 Issue 4, p236-237. 2p.
Autor:
Wickham Clayton
Sean S. Cunningham and Victor Miller's Friday the 13th franchise is one of the most successful horror film franchises in history. To date, it includes twelve movies, a television show, comic books, and video games, among other media. In SEE! HEAR! CU
Autor:
Wickham Clayton
This chapter discusses the death sequences and murder set-pieces in the Friday the 13 th films to show how the combination of sound and editing work together to create perspective. First, the chapter looks at the idea of ‘unverified diegetic sound,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::af05dcd4427eb7e21cc0087131c2deef
https://doi.org/10.14325/mississippi/9781496830319.003.0003
https://doi.org/10.14325/mississippi/9781496830319.003.0003
Autor:
Wickham Clayton
Publikováno v:
SEE! HEAR! CUT! KILL!
This chapter considers the perspective of the viewer who comes into a serialized story. First, the chapter considers the ‘franchise viewer,’ or someone who has seen other films in the series. Second, the chapter looks at the ‘new viewer,’ or
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a3435abb294553027e5bdec0170aec6c
https://doi.org/10.14325/mississippi/9781496830319.003.0004
https://doi.org/10.14325/mississippi/9781496830319.003.0004
Autor:
Wickham Clayton
Publikováno v:
SEE! HEAR! CUT! KILL!
This chapter considers discussions and categories for different forms of the eye/camera shot as they appear in the Friday the 13th series. First, there is an analysis of the criticism of the use of first-person camera shots in horror, and areas this
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ca455b3e7c3d05a4b3b70d6a2579f848
https://doi.org/10.14325/mississippi/9781496830319.003.0002
https://doi.org/10.14325/mississippi/9781496830319.003.0002