Zobrazeno 1 - 10
of 50
pro vyhledávání: '"Werner Goebl"'
Publikováno v:
Frontiers in Psychology, Vol 14 (2023)
Recent investigations on music performances have shown the relevance of singers' body motion for pedagogical as well as performance purposes. However, little is known about how the perception of voice-matching or task complexity affects choristers' b
Externí odkaz:
https://doaj.org/article/719c9e930d024954a33c6b683491b6b3
Autor:
David M. Weigl, Tim Crawford, Aggelos Gkiokas, Werner Goebl, Emilia Gómez, Nicolás F. Gutiérrez, Cynthia C. S. Liem, Patricia Santos
Publikováno v:
Empirical Musicology Review, Vol 16, Iss 1, Pp 16-33 (2021)
Vast amounts of publicly licensed classical music resources are housed within many different repositories on the Web encompassing richly diverse facets of information—including bibliographical and biographical data, digitized images of music notati
Externí odkaz:
https://doaj.org/article/513cca66d7544add9474f6d2dc0c43df
Publikováno v:
Frontiers in Psychology, Vol 13 (2022)
Musicians experience varying degrees of togetherness with their co-performers when playing in ensembles. However, little is known about how togetherness is experienced by audiences and how interpersonal dynamics in body motion and sound support the j
Externí odkaz:
https://doaj.org/article/e594adb9bc8743beb04998859f33d05e
Autor:
Laura Bishop, Werner Goebl
Publikováno v:
Music & Science, Vol 3 (2020)
Most notated forms of music require interpretation of loosely-defined score instructions. For music ensembles, coordinating a shared interpretation in which each performer plays a complementary role can be challenging, especially if performers have a
Externí odkaz:
https://doaj.org/article/bee8ba2d2cdc4d61a0ff3a3527ef8996
Autor:
Laura Bishop, Werner Goebl
Publikováno v:
Jahrbuch Musikpsychologie, Vol 28 (2018)
Musical communication involves performance and perception processes, both of which engage the sensorimotor system. In much of the performance science literature, however, musical communication is conceptualized as a one-way trajectory from active per
Externí odkaz:
https://doaj.org/article/3ef35455397f46beb67c481b5cf835ff
Autor:
Werner Goebl
Publikováno v:
Empirical Musicology Review, Vol 9, Iss 2, Pp 133-140 (2015)
This text comments on Ohriner's (2014) paper and undertakes a brief quantitative re-analysis of Ohriner's tapping data generously provided by the author. The aim here is to briefly test two hypotheses brought forward in the original paper in a quanti
Externí odkaz:
https://doaj.org/article/596552a7e74b40688278a413a7d8e56f
Autor:
Alex Hofmann, Werner Goebl
Publikováno v:
Frontiers in Psychology, Vol 7 (2016)
Clarinettists close and open multiple tone holes to alter the pitch of the tones. Their fingering technique must be fast, precise, and coordinated with the tongue articulation. In this empirical study, finger force profiles and tongue techniques of c
Externí odkaz:
https://doaj.org/article/8770489b29014478b596c670b68b46bb
Autor:
Werner Goebl, Caroline Palmer
Publikováno v:
PLoS ONE, Vol 8, Iss 1, p e50901 (2013)
Skilled piano performance requires considerable movement control to accomplish the high levels of timing and force precision common among professional musicians, who acquire piano technique over decades of practice. Finger movement efficiency in part
Externí odkaz:
https://doaj.org/article/6463c64f5184499ebf677b6f16b514eb
Autor:
Sara D’Amario, Harald Schmidbauer, Angi Roesch, Werner Goebl, Anna Maria Niemand, Laura Bishop
Publikováno v:
Psychological Research.
Musicians’ body motion plays a fundamental role in ensemble playing, by supporting sound production, communication, and expressivity. This research investigates how Western classical musicians’ head motion during ensemble performances relates to
Autor:
David M. Weigl, Chanda VanderHart, Matthäus Pescoller, Delilah Rammler, Markus Grassl, Fritz Trümpi, Werner Goebl
Publikováno v:
9th International Conference on Digital Libraries for Musicology.