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pro vyhledávání: '"Wendy Haslem"'
Throughout the history of the genre, the superhero has been characterised primarily by physical transformation and physical difference. Superhero Bodies: Identity, Materiality, Transformation explores the transformation of the superhero body across m
Autor:
Wendy Haslem
From Méliès to New Media contributes to a dynamic stream of film history that is just beginning to understand that new media forms are not only indebted to but firmly embedded within the traditions and conventions of early film culture. Adopting a
Autor:
Wendy Haslem
Filibus is an Italian silent film that contains traces of the superhero narrative in its narrative parallelism, its imagination of technologies, and most strikingly, in the multiple, secret, and transforming personas of its lead character. In Filibus
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7e6db48a7847426b08dd1086ee53214f
https://doi.org/10.4324/9780429022289-12
https://doi.org/10.4324/9780429022289-12
In the two mediums where superheroes “live” most of their time – comics and lm – the body of the character is at its most visible, and its most malleable. In theatre and dance, the body of the performer is xed to its deliberate limitation of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ef68a02a04b2dda01b3c05695a990808
https://doi.org/10.4324/9780429022289-1
https://doi.org/10.4324/9780429022289-1
Throughout the history of the genre, the superhero has been characterised primarily by physical transformation and physical difference. Superhero Bodies: Identity, Materiality, Transformation explores the transformation of the superhero body across m
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5a6fb2d5eb8775bddfbce453ee4fc435
https://doi.org/10.4324/9780429022289
https://doi.org/10.4324/9780429022289
Autor:
Wendy Haslem
Publikováno v:
Studies in Australasian Cinema. 10:100-113
Screen Australia's report Beyond the Box Office: Understanding Audiences in a Multi-Screen World (2011) identifies the resilience of established access points for distribution and exhibition despite expanding access to new avenues of engagement with
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::782d0bd10981597dec3c41ba3e314b93
https://doi.org/10.1080/17503175.2016.1140464
https://doi.org/10.1080/17503175.2016.1140464
Autor:
Wendy Haslem
Publikováno v:
Computers in Entertainment. 7:1-14
This article will explore the dynamic spatial perspective created by juxtaposing giant and miniature worlds in Hiraki Sawa's Going Places Sitting Down (2004). In Hiraki Sawa's digital artworks, fantastic miniature worlds are layered, illuminated, and
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cb775ab9786bfccbc4092d5f21317b12
https://doi.org/10.1145/1486508.1486515
https://doi.org/10.1145/1486508.1486515
Autor:
Wendy Haslem
Publikováno v:
Cinema Journal. 51:176-178
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::55b76802bc85d93aa4342e8ef0807500
https://doi.org/10.1353/cj.2012.0016
https://doi.org/10.1353/cj.2012.0016
Autor:
Joy F. Morrison, Carol S. Lomicky, Pamela J. Creedon, Dineh M. Davis, Agnes Hooper Gottlieb, Wendy Haslem, David Birch, Jay David Bolter, Robin Mansell, Donald R. Browne, Dina Iordanova, Alvi McWilliams
Publikováno v:
Journal of International Communication. 3:128-152
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::eb51a15b67e4c0bf4b2d51345b235173
https://doi.org/10.1080/13216597.1996.9751828
https://doi.org/10.1080/13216597.1996.9751828