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pro vyhledávání: '"Walter Feldman"'
Autor:
Walter Feldman
Publikováno v:
Oral Tradition, Vol 12, Iss 2, Pp 337-365 (1997)
Externí odkaz:
https://doaj.org/article/89713e0e7334492ca42cf43debc8f526
Autor:
Walter Feldman
Already in Anatolia the Mevlevis had been formalizing their musical ritual, which came to be called a ‘ceremony’ (ayin), with discrete composed sections. The earliest anonymous ayins seem to date from the later 16th century. Hence they are at lea
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2823386b953369f26e86e54c254330d7
https://doi.org/10.3366/edinburgh/9781474491853.003.0008
https://doi.org/10.3366/edinburgh/9781474491853.003.0008
Autor:
Walter Feldman
Rumi has been much appreciated as a Sufi poet throughout the Persianate World, from Bukhara and India to Iran itself. But today it is much less widely understood that Rumi’s legacy had no institutional basis in any of these countries. Through the M
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d5839ad304a54211c77852a280bf6882
https://doi.org/10.3366/edinburgh/9781474491853.003.0011
https://doi.org/10.3366/edinburgh/9781474491853.003.0011
Autor:
Walter Feldman
The sema’i usul in 6/8 characterizes the latter half of the Third Selam of the ayin. The name implies its history within earlier forms of Sufi dance. Sema’i as both term and musical form has also been adopted into the Ottoman secular repertoire,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cb526df4d3f6bca067dd9a797640580b
https://doi.org/10.3366/edinburgh/9781474491853.003.0010
https://doi.org/10.3366/edinburgh/9781474491853.003.0010
Autor:
Walter Feldman
The Mevlevi musicians had been among the principal pracitioners and theorists of music within Anatolia during the 15th century. They continued these skills in Ottoman Istanbul from the early 17th to the 20th centuries. Mevlevis wrote books of musical
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::59a68b3016bcf75b67dd3a215fd372e8
https://doi.org/10.3366/edinburgh/9781474491853.003.0007
https://doi.org/10.3366/edinburgh/9781474491853.003.0007
Autor:
Walter Feldman
The reed flute nai/ney was one of the most ancient instruments of the Near East. It had been adopted as the classic instrument of medieval Persian Sufis, and it maintained that role among the Mevlevis until the present day. Beginning with Rumi, the n
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7a93734ff615687193f29e8ea1bea3e8
https://doi.org/10.3366/edinburgh/9781474491853.003.0005
https://doi.org/10.3366/edinburgh/9781474491853.003.0005
Autor:
Walter Feldman
The ceremony of the Mevlevi dervishes, the ayin, claims our attention because it is a ritual combining choreographic movement and complex music to achieve a result that is both transcendental and artistic. It has succeeded in maintaining itself as pa
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::66ddec6f01001f89895de423e6f7106f
https://doi.org/10.3366/edinburgh/9781474491853.001.0001
https://doi.org/10.3366/edinburgh/9781474491853.001.0001
Autor:
Walter Feldman
Musical and choreographic processes—termed sama’/sema—were employed continuously from the lifetime of Rumi up until the twentieth century. While certain technical questions of the development of this sema can be be answered more or less empiric
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2476aae8cc52da13f9f47f0899a8c3aa
https://doi.org/10.3366/edinburgh/9781474491853.003.0004
https://doi.org/10.3366/edinburgh/9781474491853.003.0004
Autor:
Walter Feldman
The ceremony of the ‘Whirling Dervishes’ had been one of the few cultural creations of the Ottoman Turks that attracted the attention of European travellers over many centuries, to the point that it acquired descriptive names in the French and En
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d0fafef361b74bb9dac011401d7e35f0
https://doi.org/10.3366/edinburgh/9781474491853.003.0001
https://doi.org/10.3366/edinburgh/9781474491853.003.0001