Zobrazeno 1 - 10
of 51
pro vyhledávání: '"Walczak Dorota"'
Autor:
Walczak Dorota
Publikováno v:
Studia Humanitatis, Vol 2 (2023)
This article describes such an unprecedented phenomenon of Russian icon painting in the 19th and early 20th centuries like mass forgery of ancient icons with the aim of their subsequent sale to believers or collectors. This craft has been developing
Externí odkaz:
https://doaj.org/article/701f39c4799e40af87e920bb5b27c1b0
Autor:
Walczak Dorota
Publikováno v:
Studia Humanitatis, Vol 4 (2022)
The paper is devoted to multi-figure and multi-part composition characteristic of Russian icon painting between the 17th and 19th centuries. Icons depicting several saints or scenes from the Holy Scriptures together, or showing several images of the
Externí odkaz:
https://doaj.org/article/bbc4b00d04514f70a855595bd6af3dea
Autor:
Walczak Dorota
Publikováno v:
Studia Humanitatis, Vol 3 (2022)
The article is devoted to the phenomenon of the so-called “painting icon” in Russia between the 18th and 20th centuries. “Painting icon” is a type of icon painting that uses the artistic means characteristic of painting, primarily light and s
Externí odkaz:
https://doaj.org/article/a481e727d9f245a8a7e3cc0ce1fb7912
Autor:
Walczak Dorota
Publikováno v:
Studia Humanitatis, Vol 1 (2022)
The article is devoted to the images of fire in the Russian Old Believer icon painting of the 18th-19th centuries. The author analyzes the main iconographic scenes where this motif appears – “Seen as Fire” Mother of God, Archangel Michael-Voivo
Externí odkaz:
https://doaj.org/article/c069470120a147d6968fe447f2c5d010
Autor:
Walczak Dorota
Publikováno v:
Studia Humanitatis, Vol 4 (2021)
Riza-covered or foil covered (“folezh”) icon with faces and hands painted according to a template decorated with a stamped metal frame became a symbol of the Russian icon painting crisis at the end of the 19th and beginning of the 20th centuries.
Externí odkaz:
https://doaj.org/article/d3074fa07ddc4f72b85b3a9340c08ffa
Autor:
Walczak Dorota
Publikováno v:
Studia Humanitatis, Vol 3 (2021)
Academician Nikodim Kondakov (1844-1925), well known as a Byzantine art historian and author of important scientific works on the history of the Russian icon, was also an active fighter for the revival of Russian icon painting and one of the creators
Externí odkaz:
https://doaj.org/article/bd681780a721407284fdd0dfda53b188
Autor:
Walczak Dorota
Publikováno v:
Studia Humanitatis, Vol 2 (2021)
The purpose of this article is to comprehensively present a “printed icon”, such characteristic phenomenon of Russia at the end of the 19th and early 20th centuries. The article indicates origins and typical features of this phenomenon, analyses
Externí odkaz:
https://doaj.org/article/02fbbdfa581b4f7abc11c08a112a2c66
Autor:
Walczak Dorota
Publikováno v:
Studia Humanitatis, Vol 1 (2021)
The article describes the main stages of the formation and development of finift icon painting in Russia. Finift is a type of artistic enamel typical for Russia which Rostov masters began painting small wearable icons on at the end of the 18th centur
Externí odkaz:
https://doaj.org/article/023155b2c7834bbf9485b633ae150aff
Autor:
Walczak Dorota
Publikováno v:
Studia Humanitatis, Vol 4 (2020)
The main purpose of the article is a detailed analysis of those Synod of Zamość definitions that directly or indirectly relate to the field of church architecture and interior design. Since this Ruthenian Uniate synod of 1720 set itself the task of
Externí odkaz:
https://doaj.org/article/97daa8e925ec4e89a5311b1a16312a93
Publikováno v:
Studia Humanitatis, Vol 3 (2020)
This article is devoted to the mosaics of the Alexander Nevsky Cathedral built in Warsaw in 1894-1912. 16 magnificent mosaic panels based on sketches by Viktor Vasnetsov, Nikolai Koshelev, Nikolai Bruni, Andrey Ryabushkin and Viktor Dumitrashko const
Externí odkaz:
https://doaj.org/article/6be2a95192804c8a9a465693a179fbfa