Zobrazeno 1 - 10
of 23
pro vyhledávání: '"W190 Fine Art not elsewhere classified"'
Autor:
Lang, Martin
This essay focusses on Martin Lang’s ongoing practiced-based research project “The Truth in Painting 1993,” which employs painting, photography and digital manipulation brought together in pictures that depict events from 1993. Each painting in
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_________5::0da6f2037f55bc962285d2fe67ab183e
Autor:
Xu, Rujia
Art and Text Collisions in Contemporary Chinese Art is a transdisciplinary practice-led mode of research. The aim of the research is to explore Contemporary Chinese Text Art which uses Chinese text as an artform that expresses artists’ thoughts and
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_________5::00c428146223a0a7e32cbdf0ba5fef72
This chapter presents And Or, an international digital research project reimagining the relationship between art, interpretation, exhibition, and theory. An interdisciplinary collective, we have opted to found a collaborative space rather than remain
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_________5::5143b4f1fbb87cab5f3e804d92ee15f1
Autor:
Kilcoyne, Janet
My original contribution to knowledge is a framework constructed via the writings of Antonio Gramsci and Walter Benjamin for understanding what distinguishes art as a political object from art as a socially engaged, politicising force. The dominant u
Externí odkaz:
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.767408
Autor:
Brasó, Emma
This thesis examines the intersection of authorship and fiction in artistic practices from the 1980s until the present. Based on a series of examples of imaginary or partially fictional artists who are, nevertheless, able to function as authors in th
Externí odkaz:
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.752906
Autor:
Hewish, Andrew
This thesis articulates a tropology of the line, when presented in the singular, across theory, literature and visual art. It articulates and tests the singular line’s rhetoric and associated values exhibited in these modes of cultural production,
Externí odkaz:
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.752905
Autor:
Savage, Polly
Between 1961 and 1986, the contexts in which artists could train and practice in Mozambique radically shifted. During the country’s transition from overseas territory of Portugal’s quasi-fascist Estado Novo regime, to Marxist-Leninist vanguard st
Externí odkaz:
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742452
Autor:
Rocha Watt, Dionea
This research considers an artist’s encounter with works of art that carry or evoke the affective traces of an experience of loss. Examining images, photographs and sculptural objects and installations that inscribe and in turn expose absence in pr
Externí odkaz:
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.720626
Autor:
Balaskas, Vasileios (Bill)
This thesis investigates the proliferation of alternative political imaginaries in the Web-based art produced during the global financial crisis of 2008 and its aftermath (2008- 2015), with a particular focus on the influence of communist utopianism.
Externí odkaz:
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.720624
Autor:
Dzuverovic, Lina
This thesis explores forms of Pop Art on the territory of the former Yugoslavia in the 1960s and 1970s, seeking to identify its local variants. Yugoslavia, a single party state, built on the legacy of the anti-fascist Partisan struggle, principles of
Externí odkaz:
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.720630