Zobrazeno 1 - 10
of 19
pro vyhledávání: '"W. Luke Windsor"'
Publikováno v:
Music & Science, Vol 2 (2019)
Music has been associated with alterations in autonomic function. Tempo, the speed of music, is one of many musical parameters that may drive autonomic modulation. However, direct measures of sympathetic nervous system activity and control groups and
Externí odkaz:
https://doaj.org/article/4180eac88e344cbe8f388328124399db
Autor:
W. Luke Windsor
Luke Windsor explores the use of forced listening to music in detention and interrogation and points to the creation of ambiguity and uncertainty as a central effect. Windsor engages with several cases of psychological warfare during previous wars an
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::31cd9e0985f91d5f9ce2ac188a454d1c
https://doi.org/10.1093/oxfordhb/9780190460242.013.71
https://doi.org/10.1093/oxfordhb/9780190460242.013.71
Publikováno v:
Music & Science, Vol 2 (2019)
Music has been associated with alterations in autonomic function. Tempo, the speed of music, is one of many musical parameters that may drive autonomic modulation. However, direct measures of sympathetic nervous system activity and control groups and
Autor:
W. Luke Windsor
Publikováno v:
Body, Sound and Space in Music and Beyond: Multimodal Explorations
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4122018c5d7ff6982d2e4267e0b81dc9
https://doi.org/10.4324/9781315569628-7
https://doi.org/10.4324/9781315569628-7
Autor:
W. Luke Windsor, Christophe de Bezenac
Publikováno v:
Musicae Scientiae. 16:102-120
This paper explores the extent to which ideas developed in The Senses Considered as Perceptual Systems and further refined in The Ecological Approach to Visual Perception ( Gibson, 1966 ; 1979 ) can be applied to the analysis of perception and action
Autor:
W. Luke Windsor
Publikováno v:
Journal for the Theory of Social Behaviour. 34:179-198
W. Luke Windsor, An Ecological Approach to Semiotics, pp. 179-198 This paper proposes an ecological approach to the perception and interpretation of signs. The theory draws upon the ecological approach of James Gibson (1966; 1979). It is proposed tha
Publikováno v:
Music Perception, 19, 565-594
Music Perception, 19, 4, pp. 565-594
Music Perception, 19, 4, pp. 565-594
We investigated whether and how the timing of musical rhythms changes with tempo. Twelve skilled pianists played a monophonic eight-bar melody in 21 different rhythmic versions at four different tempi. Within bars, the rhythms represented two isochro
Publikováno v:
Music Perception, 20(1), 3-33. University of California Press
Music Perception, 20, 1, pp. 3-33
Music Perception, 20, 3-33
Music Perception, 20, 1, pp. 3-33
Music Perception, 20, 3-33
Musicians have to make many interpretive decisions when performing a piece. For example, the grace note, a one-note musical ornament, has no precise duration written in the score; it has to steal its duration from either the preceding or following me
Autor:
Eric Clarke, W. Luke Windsor
Publikováno v:
Music Perception. 17:277-313
A number of attempts have been made in the past 10 to 15 years to construct artificial systems that can simulate human expressive performance, but few systematic studies of the relationship between model output and comparable human performances have