Zobrazeno 1 - 10
of 44
pro vyhledávání: '"W. D. Walls"'
Publikováno v:
Environmental and Resource Economics. 85:65-108
Autor:
W. D. Walls1 wdwalls@ucalgary.ca, Xiaoli Zheng2 xzhengsh@gmail.com
Publikováno v:
Energy Journal. May2022, Vol. 43 Issue 3, p1-32. 32p.
Autor:
Adegboyega During, W. D. Walls
Publikováno v:
OPEC Energy Review. 44:27-42
Autor:
Jordi McKenzie, W. D. Walls
Publikováno v:
Empirical Economics. 59:3019-3032
Success in popular entertainment is highly unpredictable. Yet it is the high-impact low-probability events—known as ‘black swans’—that drive entertainment industry profitability because success is highly concentrated on a small number of winn
Autor:
Xiaoli Zheng, W. D. Walls
Publikováno v:
The Energy Journal. 41
This paper examines the impact of pipeline capacity constraints on the discount of Canadian oil prices relative to U.S. benchmark oil prices. Using a panel of monthly data for Canadian oil exporting pipelines, we estimate that price differentials bet
Autor:
W. D. Walls, Xiaoli Zheng
Publikováno v:
OPEC Energy Review. 40:337-353
This article provides a quantitative analysis of how the recent boom in US oil production—largely a result of shale oil production—has impacted the domestic petroleum refining industry. We quantify how domestic crude prices are related to refiner
Autor:
W. D. Walls, Xiaoli Zheng
Publikováno v:
Resource and Energy Economics. 64:101215
This paper investigates the effects of more stringent environmental regulation—specifically, paying amortized abandonment fees as accrued and absolute liability for adverse events—on the safety performance of Canadian oil and gas pipelines. We co
Publikováno v:
Energy Economics. 47:206-214
The petroleum refining industry has changed over the past decades from one in which capacity primarily served local and regional markets to one in which trade in refined petroleum products has become more widespread. We investigate the hypothesis of
Autor:
Jordi McKenzie, W. D. Walls
Publikováno v:
Journal of Media Economics. 25:198-219
Does Hollywood dominate world cinema markets with American taste, culture, and values through the exportation of films produced mainly for its domestic (US and Canada) market? Or does Hollywood supply the films that world audiences demand and, becaus