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pro vyhledávání: '"W Duffin"'
Autor:
Ross W. Duffin
English comedy from the fifteenth to the early seventeenth century abounds in song lyrics, but most of the original tunes were thought to have been lost--until now. By deducing that playwrights borrowed melodies from songs they already knew, Ross W.
Autor:
Ross W Duffin
Publikováno v:
Music and Letters. 103:205-225
Considering the fame of the poet and the beauty of the poetry, it is intriguing and somewhat baffling that there are no musical settings of Shakespeare’s sonnets from his lifetime, whether from lack of preservation or a disinclination on the part o
Autor:
Ross W. Duffin
Publikováno v:
BACH: Journal of the Riemenschneider Bach Institute. 53:143-155
Autor:
Ross W Duffin
Publikováno v:
Early Music. 50:65-76
In his encyclopaedic 1966 study, The British broadside ballad and its music, Claude Simpson regretted the absence of tune directions for ‘such familiar traditional ballads as “Barbara Allen”’. Indeed, although it is by far the most collected
Autor:
Ross W. Duffin
Thomas Morley’s possible association with, and contribution to, the Shakespeare theatre has been proposed and dismissed with equal weight by a host of scholars over many years. This chapter re-examines what we know, offers solutions to major proble
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::03059ca3aacbf9a5efc6fdc858b77022
https://doi.org/10.1093/oxfordhb/9780190945145.013.12
https://doi.org/10.1093/oxfordhb/9780190945145.013.12
Autor:
Ross W. Duffin
Publikováno v:
Early Music History. 39:115-148
The summer of 1602 featured a soggy ‘progress’ by Queen Elizabeth to various noble households in the vicinity of London, interspersed with elaborate royal entertainments. In the midst of the formal festivities occurred an enigmatic and apparently
Autor:
Ross W. Duffin
Publikováno v:
Early Theatre. 24
In modern times, scholars have widely regarded early Elizabethan tragedy, like Thomas Norton and Thomas Sackville’s Gorboduc (1561/62) and its successors at the Inns of Court, as verbose and unlyrical. Those criticisms may reflect an incomplete und
Autor:
Ross W Duffin
Publikováno v:
The Musical Quarterly.
Calixa Lavallée's O Canada, composed in 1880, is beloved there as the national anthem, and admired around the world. Little known today, even in his home country, Lavallée enjoyed an international career as a performer and educator, and spent many
Autor:
Ross W. Duffin
Publikováno v:
Music and Letters. 99:159-193
Autor:
Ross W. Duffin
Publikováno v:
Journal of the Alamire Foundation. 9:239-266
Giovanni Battista Benedetti’s letters to Cipriano de Rore, published in 1585 after the latter’s death, highlight the difficulty of using just intonation, strictly applied, in any repertoire of the ...