Zobrazeno 1 - 10
of 27
pro vyhledávání: '"Vuohelainen, M."'
Autor:
Vuohelainen, M.
Publikováno v:
Victorian Popular Fictions Journal
Drawing on the work of Bertrand Westphal, this essay attempts to perform a geocritical reading of the London district of Clerkenwell. After discussing the spatial turn in the Humanities and introducing a range of spatial critical approaches, the essa
Autor:
Vuohelainen, M.
This essay examines the adventures of Richard Marsh’s female detective and lip-reader Judith Lee (1911–16). The short-story series offers a powerful example of the cross-fertilisation of the genres of detective, Gothic, New-Woman and science fict
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::a80f269f14cb3df7abe93122081d5853
https://doi.org/10.7228/manchester/9781526124340.003.0004
https://doi.org/10.7228/manchester/9781526124340.003.0004
Autor:
Vuohelainen, M.
Publikováno v:
Interpreting Primo Levi ISBN: 9781349563920
“I’ve always thought that bridges are the most beautiful work there is,” remarks Tino Faussone in Primo Levi’s 1978 book The Wrench (La chiave a stella).1 Levi’s rigger-protagonist appreciates bridges because “they’ll never do anybody h
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::9d7b2a20e20a81b6ae4de166cec3abcb
https://doi.org/10.1057/9781137435576_10
https://doi.org/10.1057/9781137435576_10
Autor:
Vuohelainen, M.
Publikováno v:
Humanities, Vol 7, Iss 3, p 66 (2018)
Humanities
Volume 7
Issue 3
Humanities
Volume 7
Issue 3
Critics have often sought to place Thomas Hardy&rsquo
s fiction within a realist generic framework, with a significant emphasis on Hardy&rsquo
s Wessex settings, visual imagination and equation of sight with knowledge. Yet Hardy&rsquo
s fiction within a realist generic framework, with a significant emphasis on Hardy&rsquo
s Wessex settings, visual imagination and equation of sight with knowledge. Yet Hardy&rsquo
Autor:
Vuohelainen, M.
Publikováno v:
Journal of Popular Narrative Media
In the competitive publishing environment of the late nineteenth century, writers and magazines had to distinguish themselves carefully from potential rivals. This article examines how G. A. Henty's quality boys' weekly, Union Jack (1880–83), attem