Výsledky vyhledávání - "Volha Isakava"

The euphoric film: Ivan Vyrypaev’sEuphoria, metacinema and affect

Autor: Volha Isakava

Publikováno v: Studies in Russian and Soviet Cinema. 12:215-231

This article examines Ivan Vyrypaev’s debut feature film Euphoria (2006) from the perspectives of phenomenological approaches to film and affect theory. The essay situates Euphoria in the context o...

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::1d7f5bd822b6e14f1448a84abf19bd73
https://doi.org/10.1080/17503132.2018.1511262

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Between the public and the private: Svetlana Aleksievich interviews Ales' Adamovich. Translator’s preface

Autor: Volha Isakava

Publikováno v: Canadian Slavonic Papers. 59:355-375

This is a transcript and translation of an interview recorded in 1986 by Svetlana Aleksievich with her literary mentor, Ales' Adamovich. The writers discuss Mikhail Gorbachev’s then-new perestroika policy, its potential for meaningful political cha

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::3dc176a1aef089edae5f96afdbff0c50
https://doi.org/10.1080/00085006.2017.1381875

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Reality excess

Autor: Birgit Beumers, Volha Isakava

This chapter examines the genre of chernukha films of the late 1980s. Chernukha was a fairly short-lived phenomenon; however, the specifics of its artistic language and cultural reception have persisted in post-Soviet culture to this day. The chapter

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::f221bedc137cb220f70bfdc475e3f412
https://doi.org/10.4324/9781315559278-10

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Of Monsters and Men: Horror Film in Belarus, Ukraine, and Russia

Autor: Volha Isakava

Publikováno v: Canadian Slavonic Papers. 56:101-118

This article looks at recent horror films from Belarus, Ukraine, and Russia through the notion of “cultural translation.” It argues that these films both mimic Hollywood horror tropes and subvert genre formula via engagement of local history and

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::9423be7e212e72a3601d064dcc5f32bd
https://doi.org/10.1080/00085006.2014.11092757

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The body in the dark: body, sexuality and trauma in perestroika cinema

Autor: Volha Isakava

Publikováno v: Studies in Russian and Soviet Cinema. 3:201-214

The paper analyses the role of the body and sexuality in perestroika chernukha cinema—a. bleak and dark film trend that became synonymous with the message of hopelessness of the post-Soviet cinema. Chernukha's ‘indulgence’ in sexuality, bodily

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::7abcad217c48c70b8a5353e512b0c98f
https://doi.org/10.1386/srsc.3.2.201_1

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