Zobrazeno 1 - 10
of 85
pro vyhledávání: '"Vivian Sobchack"'
Autor:
Vivian Sobchack
Publikováno v:
Rivista di Estetica, Vol 55, Pp 87-101 (2014)
This essay argues that the digitization and proliferation of contemporary screens has moved us from a “screen-scape” to an encompassing “screen-sphere” – a new topologically-bounded and systemically-organized domain that has not only radica
Externí odkaz:
https://doaj.org/article/7c62904470f24f37adf303346a8d3b77
Autor:
Vivian Sobchack
Publikováno v:
Ilha do Desterro, Vol 0, Iss 32, Pp 015-026 (2008)
In 1994, Forrest Gump (Robert Zemeckis), the immensely popular film about a simpleton hero triumphing over (by ignoring) the vicissitudes of three decades of recent American history, was second only to Disney’s animated The Lion King at the box off
Externí odkaz:
https://doaj.org/article/a91f6c3e7590409a9c2314eefe14154a
Autor:
Vivian Sobchack
In these innovative essays, Vivian Sobchack considers the key role our bodies play in making sense of today's image-saturated culture. Emphasizing our corporeal rather than our intellectual engagements with film and other media, Carnal Thoughts shows
Autor:
Vivian Sobchack
Publikováno v:
Apertura. 16:1-15
A home movie attitűd egyike a filmes identifikáció Jean-Pierre Meunier által megjelölt három modalitásának, amellyel A filmes tapasztalat struktúrái: a filmes azonosulás (Les Structures de l’expérience filmique: L’identification filmi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b81d7c5411cd7f3c49f98ea8428d4134
https://doi.org/10.31176/apertura.2021.16.2.7
https://doi.org/10.31176/apertura.2021.16.2.7
Autor:
Vivian Sobchack
Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectato
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::42973ab1bab03dff9c129f4bb65dbcd2
https://doi.org/10.2307/j.ctvzsmfbq
https://doi.org/10.2307/j.ctvzsmfbq
Autor:
Vivian Sobchack
Publikováno v:
International Journal of Performance Arts and Digital Media. 13:183-198
‘Choreography for One, Two, and Three Legs’ approaches the intentional formation of bodily movement and expression from the various perspectives of individuals who are ‘differently abled.’ Exploring what it is for a non-dancer to experience v
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::d4306ad7c1ae5e0e9ea1c64033032c7f
https://doi.org/10.1080/14794713.2017.1345583
https://doi.org/10.1080/14794713.2017.1345583
Autor:
Vivian Sobchack
Publikováno v:
The Structures of the Film Experience by Jean-Pierre Meunier
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::0fc61cf9840fc42592662271bece958d
https://doi.org/10.2307/j.ctvpbnq82.12
https://doi.org/10.2307/j.ctvpbnq82.12