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pro vyhledávání: '"Victoria Dickenson"'
Elizabeth Gwillim (1763–1807) and her sister Mary Symonds (1772–1854) produced over two hundred watercolours depicting birds, fish, flowers, people, and landscapes around Madras (now Chennai). The sisters'detailed letters fill four large volumes
Autor:
Victoria Dickenson
Publikováno v:
Notes and Records: the Royal Society Journal of the History of Science. 75:507-513
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::de063130b5f6acada0b38b6fb89ca7db
https://doi.org/10.1098/rsnr.2021.0062
https://doi.org/10.1098/rsnr.2021.0062
Autor:
Jennifer Garland, Victoria Dickenson
Publikováno v:
Notes and Records: the Royal Society Journal of the History of Science. 75:599-626
For almost 40 years, the British jurist and Fellow of the Royal Society Taylor White (1701–1772) actively engaged in commissioning artists to paint plants and animals for his ‘paper museum’. White amassed a collection of almost 1000 drawings of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fdcb661dccd2336eefcecc6107a18bc9
https://doi.org/10.1098/rsnr.2021.0020
https://doi.org/10.1098/rsnr.2021.0020
Autor:
Victoria Dickenson
Publikováno v:
Notes and Records: the Royal Society Journal of the History of Science. 75:515-541
Taylor White (1701–1772) was by profession a barrister and judge, active in public life in London. His life as a jurist and as the long-serving treasurer of the Foundling Hospital is documented in the records of his public appointments and in his o
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::724cd3e053819ce36fc3fe9b61951674
https://doi.org/10.1098/rsnr.2020.0073
https://doi.org/10.1098/rsnr.2020.0073
Autor:
Victoria Dickenson
Publikováno v:
Notes and Records: the Royal Society Journal of the History of Science.
In 1924 Casey Wood, founder of the Blacker Wood Library at McGill University in Montreal, acquired a large portfolio of paintings of Indian birds from an antiquarian dealer in London, England. In addition to 121 watercolours of birds, the portfolio c
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::67405fea3f42f4c636b26fdd412d1635
https://doi.org/10.1098/rsnr.2022.0029
https://doi.org/10.1098/rsnr.2022.0029
Autor:
Victoria Dickenson
Publikováno v:
Gastronomica. 20:69-78
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ce52be095d19df6614e75baa0fadfc4d
https://doi.org/10.1525/gfc.2020.20.1.69
https://doi.org/10.1525/gfc.2020.20.1.69
Autor:
Victoria Dickenson
The use of images as evidence in historical writing has been largely neglected by historians, though recent interest in the importance of visualization in scientific literature has led to a reappraisal of their value. In Drawn from Life, Victoria Dic
Autor:
Victoria Dickenson
Publikováno v:
Cheap Street
Drawn from Life: Science and Art in the Portrayal of the New World
Drawn from Life: Science and Art in the Portrayal of the New World
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::52b30e0cd7391d875ec4d1d3d04e1d45
https://doi.org/10.7765/9781526131706.00005
https://doi.org/10.7765/9781526131706.00005
Autor:
Victoria Dickenson
What is it about the small fruits of field and wood that encourage rapture? These gifts of the earth—flagrant in hedgerows, carpeting the forest floor or coloring tablelands—are so ubiquitous as to be commonplace and yet so extraordinary that we