A Display of Prints in the Dresden Kupferstichkabinett, c. 1728-1750: Exhibiting German Art in Western-European Comparison

Autor: Vermeulen, I.R., Oy-Marra, Elisabeth, Schmiedel, Irina

Publikováno v: Zeigen, Überzeugen, Beweisen: Methoden der Wissensproduktion in Kunstliteratur, Kennerschaft und Sammlungspraxis der Frühen Neuzeit, 391-418
STARTPAGE=391;ENDPAGE=418;TITLE=Zeigen, Überzeugen, Beweisen

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=narcis______::5d236f54d14e6e807f6515ed91403528
https://research.vu.nl/en/publications/d666f374-e8f8-4a2a-af17-b0ab24e8547e

[Book review:] Challenging the myth of Pierre-Jean Mariette (1694-1774)

Autor: Vermeulen, I.R.

Publikováno v: Vermeulen, I R 2018, ' [Book review:] Challenging the myth of Pierre-Jean Mariette (1694-1774) : Valérie Kobi, Dans l’oeil du connaisseur. Pierre-Jean Mariette (1694-1774) et la construction des savoirs en histoire de l’art, Rennes: Presses Universitaires de Rennes 2017, 322 pp., Illustrations: Couleurs et N & B. 28,00 €. ISBN : 978-2-7535-5314-9 ', Journal of Art Historiography, vol. 18, no. June, 18/IV1, pp. 1-5 . < https://arthistoriography.files.wordpress.com/2018/06/vermeulen-review.pdf >

Kobi re-evaluates the role of Pierre-Jean Mariette (1694-1774) in eighteenth-century art history by focusing on his art publications rather than on the collections owned or compiled. She makes a valuable contribution to the knowledge about the social

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::435698123416fed22e5096a7dc16c5c7
https://arthistoriography.files.wordpress.com/2018/06/vermeulen-review.pdf

The Book as Museum:Séroux d'Agincourt's Visual Display of the Artistic Past

Autor: Vermeulen, I.R.

Publikováno v: Vermeulen, I R 2019, The Book as Museum : Séroux d'Agincourt's Visual Display of the Artistic Past . in D Mondini (ed.), Séroux D'Agincourt e la Storia dell' Arte intorno al 1800 . Quaderni della Bibliotheca Hertziana, no. 3, Campisano Editore, Rome, pp. 271-296 .

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od______4612::fb196eaae5a632a73f7af30c43e5ce6d
https://hdl.handle.net/1871.1/ec55f564-79ba-4b44-9005-b70248e97f80

Introduction conference 'The Artistic Taste of Nations: Contesting Geographies of European Art, 1550-1815'

Autor: Vermeulen, I.R.

Publikováno v: The Artistic Taste of Nations
Vermeulen, I R 2019, ' Introduction conference 'The Artistic Taste of Nations: Contesting Geographies of European Art, 1550-1815' ', Paper presented at The Artistic Taste of Nations, Amsterdam, Netherlands, 13/06/19-15/06/19 .

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::8937324a50cc62e0679b9a8c0a3eb561
https://research.vu.nl/en/publications/03d99f77-b203-4d97-b58f-5d968d34186b

L'art de la comédie humain:Charles Blanc, diffuseur de Rembrandt dans la France du XIXe siècle

Autor: Vermeulen, I.R.

Publikováno v: Vermeulen, I R 2019, ' L'art de la comédie humain : Charles Blanc, diffuseur de Rembrandt dans la France du XIXe siècle ', Nouvelles de l'Estampe, vol. 2019, no. 4, pp. 1-23 . < https://nouvellesdelestampe.fr/nouvelles-de-lestampe/publi-en-ligne/ >

Charles Blanc (1813-1882) a toujours admire les estampes de Rembrandt, et les a étudiées – malgré les doctrines artistiques classiques qu’il promeut dans son livre le plus connu, la 'Grammaire des arts du dessin' (1867). Cet article traite de

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od______4612::8226b77fb2ad3d787c8dbf9874a0c190
https://research.vu.nl/en/publications/1c4497b3-982e-48ad-817f-228a7a1ccd8c