Zobrazeno 1 - 10
of 325
pro vyhledávání: '"Venice Biennale"'
Autor:
Stefano Mudu
Publikováno v:
AN-ICON, Vol 2, Iss II (2023)
This paper aims to demonstrate how Laure Prouvost’s artistic practice requires an immersion of the viewer in intermedial installations composed of objects from the most disparate spatial and temporal origins. Since the early 2000s, the French artis
Externí odkaz:
https://doaj.org/article/40a35aeb08cd48cbb4f5a61e6d5d1bc5
Autor:
Emerson Dionisio de Oliveira
Publikováno v:
OBOE, Vol 4, Iss 1 (2023)
The presence of so-called “primitive” or “innocent” artists at the 9th Bienal de São Paulo (1967), within the vocabulary of popular art, was marked by frank and open public debate between the selection jury of the event and the critics of th
Externí odkaz:
https://doaj.org/article/15cc8639152c4077bdc31212dcdc36b5
Autor:
Kersten Geers
Publikováno v:
RA. Revista de Arquitectura, Iss 25 (2023)
Externí odkaz:
https://doaj.org/article/918dfc184a134eeeaacae75625c00e6d
Autor:
Dina Iordanova
Publikováno v:
NECSUS, Vol 12, Iss 2, Pp 318-325 (2023)
Externí odkaz:
https://doaj.org/article/54082f8653bd4c98b9dff4a4fe1b3047
Autor:
François Penz
Publikováno v:
Journal of Design for Resilience in Architecture and Planning, Vol 3, Iss (Special Issue), Pp 01-08 (2022)
François Penz, in his essay titled as "What I saw in Venice – biennale 2021" shared his experiences about workshop in Venice – VENICINEMA, Understanding Cities Through Film – in September 2022 at the European Cultural Academy. To get to know a
Externí odkaz:
https://doaj.org/article/a70718629ffd4fedb09a8493640b5539
Autor:
Christel Taillibert, John Wäfler
Publikováno v:
Cinergie, Iss 22, Pp 25-40 (2022)
This article explores the social history of film to shed light on the emergence and stabilization of the film festival concept in the 1930s and 1940s. The creation of the Venice Mostra in 1932 appears like the result of a slow process of legitimizati
Externí odkaz:
https://doaj.org/article/2589b4c5b3d74a459f4023dd5ac50826
Autor:
Anastasia Shanaah
Publikováno v:
Museum & Society, Vol 20, Iss 2, Pp 264-281 (2022)
The paper investigates meaning communicated by the exhibition Archaic, the national pavilion of Iraq at the 57th Venice Biennale (2017). The Venice Biennale is the only global art event that allows countries and nations to represent themselves on the
Externí odkaz:
https://doaj.org/article/f7ad3ebdd5eb4a18bae32b1f487579fd
Autor:
Владислав Хібовський
Publikováno v:
Текст і образ: актуальні проблеми історії мистецтв, Vol 1, Iss 15 (2023)
After every crisis, there is a period of revival and energy recovery. After every peak of development goes decaying and gradual fading of resources. This circulation is inherent to every individual life, political entity, global ecosystem or any othe
Externí odkaz:
https://doaj.org/article/e9d3330edf1948cd826d1de9506078fd
Autor:
Marco Baravalle
Publikováno v:
NECSUS, Vol 11, Iss 2, Pp 327-339 (2022)
Externí odkaz:
https://doaj.org/article/ff5c06a359ef4938aaf336fc4fc759a3
Autor:
Ereš Ana
Publikováno v:
Balcanica, Vol 2022, Iss 53, Pp 227-242 (2022)
Throughout the twentieth century the International Art Exhibition Venice Biennale was seen as a major event by the art world of Belgrade and, more broadly, of Serbia and Yugoslavia. After the Second World War this biggest and most important intern
Externí odkaz:
https://doaj.org/article/cf458b52b0d5452eb99720aca932bf62