Zobrazeno 1 - 10
of 10
pro vyhledávání: '"Varja Hrvatin"'
Publikováno v:
Amfiteater, Vol 10, Iss 1 (2024)
V pričujočem prispevku se bomo osredotočili na dramsko pisanje tako imenovane mlade generacije. Pri tem se bomo spraševali, kako bi to generacijo definirali glede na to, da so pisci med seboj precej individualizirani in razpršeni, njihovi teksti
Externí odkaz:
https://doaj.org/article/8f0c3f576dcf47bab3769423f5d830ad
Publikováno v:
Amfiteater, Vol 11, Iss 1, Pp 188-201 (2023)
In the paper, the authors discuss the concept of staged readings, arguing that they are the predominant performance format for presentations of young playwriting. However, such presentations should not be understood as an intermediate stage between r
Externí odkaz:
https://doaj.org/article/051b619e9c8a4bc8aad4133cbe54c0ea
Publikováno v:
Amfiteater, Vol 11, Iss 1, Pp 174-187 (2023)
V pričujočem prispevku bomo obravnavali koncept bralnih uprizoritev. Ugotavljali bomo, da gre v polju mlade dramske pisave za prevladujoč uprizoritveni format, ki pa ga ne gre razumeti kot vmesno stopnjo med branjem in uprizarjanjem, temveč kot p
Externí odkaz:
https://doaj.org/article/1b7993e2b6094d25a46494580bf0fd2c
Publikováno v:
Amfiteater, Vol 11, Iss 1 (2023)
V pričujočem prispevku bomo obravnavali koncept bralnih uprizoritev. Ugotavljali bomo, da gre v polju mlade dramske pisave za prevladujoč uprizoritveni format, ki pa ga ne gre razumeti kot vmesno stopnjo med branjem in uprizarjanjem, temveč kot p
Externí odkaz:
https://doaj.org/article/27af627017a84424be27e31dd9ebdead
Publikováno v:
Amfiteater, Vol 10, Iss 1, Pp 250-270 (2022)
V pričujočem prispevku se bomo osredotočili na dramsko pisanje tako imenovane mlade generacije. Pri tem se bomo spraševali, kako bi to generacijo definirali glede na to, da so pisci med seboj precej individualizirani in razpršeni, njihovi teksti
Externí odkaz:
https://doaj.org/article/e0e3875d87da4b059e848def7aa01cb2
Publikováno v:
Amfiteater, Vol 10, Iss 1, Pp 268-270 (2022)
In this paper, we will concentrate on the playwriting of the so-called young generation. In doing so, we will ask how this generation can be defined, given that the writers are quite individualised and dispersed among themselves, and their texts are
Externí odkaz:
https://doaj.org/article/f805208b77e64dc78012d347f6cb1ca1
Autor:
Varja Hrvatin
Publikováno v:
Maska. 36:18-22
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d2160dc8cbe805d63de406a05baf090f
https://doi.org/10.1386/maska_00084_1
https://doi.org/10.1386/maska_00084_1
Publikováno v:
Maska. 36:80-90
The text critically tackles the prevailing ideology, which convinces us that mental health problems are a matter of the individual (everyone must take care of themselves!), not the society in which one is situated in; the ideology which does not ques
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::52af9c392b1a48e4fdeedcf692576739
https://doi.org/10.1386/maska_00090_1
https://doi.org/10.1386/maska_00090_1
Autor:
Varja Hrvatin
Publikováno v:
Maska. 35:53-67
New Wave of Playwriting is a compilation of two editions of the theatre segment Teritorij teatra (The Territory of Theatre) that were broadcast on Radio Študent. In the play of the introductory drama-radio form of the dialogue between the young fema
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9fb6bc89e30a3b807dc3e6d6bad24c90
https://doi.org/10.1386/maska_00009_1
https://doi.org/10.1386/maska_00009_1
Autor:
Varja Hrvatin
Publikováno v:
Maska. 35:25-27
The entire monologue is a transcription of the inner train of thought narrated by a woman’s voice in medias res while watching and listening to three minutes of the film Koyaanisqatsi. We don’t see the actress; we only hear her. The only thing we
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::97ef62f47a7e756e8bb6f1e1a4192d89
https://doi.org/10.1386/maska_00026_1
https://doi.org/10.1386/maska_00026_1