Výsledky vyhledávání - "Vanoeveren, Ine"

Akademický článek

Breaking the fifth wall: on creating a sense of wonder with(in) mixed realities through XR performance, creative AI, and embodying virtual identities. An encounter in VRChat: Anneleen Swillen and Guus Vandeweerd in conversation with Ine Vanoeveren.

Autor: Swillen, Anneleen, Vandeweerd, Guus, Vanoeveren, Ine

Publikováno v: International Journal of Performance Arts & Digital Media; Mar2024, Vol. 20 Issue 1, p142-158, 17p

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Empty Mind: an exploration towards an autonomous digital experience and aesthetics within a virtual live performance

Autor: Timmerman, Kristof, Vanoeveren, Ine

Publikováno v: 17th International Conference on Tangible, Embedded, and Embodied, Interaction (TEI), FEB 13-16, 2022, Electronic network
TEI'22: Proceedings of the sixteenth International Conference on Tangible, Embedded, and Embodied, Interaction

Empty Mind is an audiovisual live performance that takes place in a virtual environment and is meant to be viewed online. It is inspired by the works and ideas of the American artist Agnes Martin. The work consists of 6 large movements (5 + 1), which

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::978207ea2ff8a7dabfef0fb8a1e85cf3

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Confined walls of unity: The reciprocal relation between notation and methodological analysis in Brian Ferneyhough's oeuvre for flute solo

Autor: Vanoeveren, Ine

Publikováno v: Vanoeveren, Ine. (2016). Confined walls of unity: The reciprocal relation between notation and methodological analysis in Brian Ferneyhough's oeuvre for flute solo. UC San Diego: Music. Retrieved from: http://www.escholarship.org/uc/item/4sc6x6h2

Brian Ferneyhough has written six challenging and complex pieces for flute solo: Cassandra’s Dream Song (1970), Unity Capsule (1975-1976), Superscriptio (1981), Carceri d’Invenzione IIb (1985-1986), Mnemosyne (1986) and Sisyphus Redux (2011). Bes

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od_______325::d4fc24cbe4dce9e084f6d914cca7673d
http://www.escholarship.org/uc/item/4sc6x6h2

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Sonic silhouettes : musical movement investigating the musical-gestural perspective

Autor: Huang, Winnie

In the contemporary music world of the performing arts, an increasing number of musical-gestural works are being composed and performed. The rise of these pieces, the curiosity in creating them by composers, and the growing demand for performers spec

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od______2097::980def60aefa462d0eb81914c45b0741
https://hdl.handle.net/10067/1870980151162165141

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The creative performer and Giacinto Scelsi : building a creative performance practice in dialogue with Giacinto Scelsi’s artefacts

Autor: Fusi, Marco

Direct contact with Giacinto Scelsi has been the only acknowledged approach to the interpretation of his music, hence forming a circle of elite-performers, recipients of an understanding “beyond the written score”. However, in order to preserve t

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od______2097::24bd1d2889489ab2adadecac4cf2177f
https://hdl.handle.net/10067/1882530151162165141

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