Zobrazeno 1 - 7
of 7
pro vyhledávání: '"Valeriya Zharkova"'
Publikováno v:
Studia Universitatis Babeş-Bolyai. Musica, Vol 69, Iss 2 (2024)
The article is devoted to the study of the genre specificity of M. Ravel's overture de féerie "Shéhérazade" (1898) and the identification of its important semantic aspects. The non-traditional genre definition of the composition as an overture de
Externí odkaz:
https://doaj.org/article/94d2d510acde49e2b75f61b96062dcf7
Publikováno v:
Harmonia: Journal of Arts Research and Education, Vol 23, Iss 2, Pp 333-345 (2023)
The relevance of this study is conditioned upon the need to highlight the internal content of the modern academic musical language and, specifically, the features of the late work of G. Ligeti. This paper aimed to conduct an in-depth study, comprehen
Externí odkaz:
https://doaj.org/article/e0f8fa33071e4a58932f9eaa6a91942a
Publikováno v:
Studia Universitatis Babeş-Bolyai. Musica, Vol 67, Iss Special Issue 1 (2022)
The article is devoted to the research of choral music by Samuel Barber who was a 20th-century American composer. The research is carried out in terms of its genre and style diversity. It represents the historical stages of turning to choral art. The
Externí odkaz:
https://doaj.org/article/1772855906a34946ba133aa08d72d3fe
Autor:
Valeriya Zharkova
Publikováno v:
Scientific herald of Tchaikovsky National Music Academy of Ukraine. :130-148
Relevance of the study. The relevance of the article is determined by the appeal to the controversial issues of understanding the artistic concept of Maurice Ravel’s piano suite “Tombeau de Couperin”, which was written during the First World Wa
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7c9dbcf29f0248f98e0b4a26b1f362fc
https://doi.org/10.31318/2522-4190.2023.136.276571
https://doi.org/10.31318/2522-4190.2023.136.276571
Autor:
Valeriya Zharkova
Publikováno v:
Scientific herald of Tchaikovsky National Music Academy of Ukraine. :35-52
The relevance of the article is determined by the desire to consider the understanding of the scientific discipline “The History of Music” in its metaphysical dimension. “Metaphysics of the History of Music” appears as a modern discipline tha
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ff42fc6edb311218398f3aff366098d0
https://doi.org/10.31318/2522-4190.2021.132.249956
https://doi.org/10.31318/2522-4190.2021.132.249956
Autor:
Valeriya Zharkova
Publikováno v:
Scientific herald of Tchaikovsky National Music Academy of Ukraine. :24-51
The relevance of the article is determined by the appeal to the debatable issues of stylistic differentiation of the works by Claude Debussy and Maurice Ravel as the French musical culture leading representatives of the late 19th and the first third
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4ab849b2dc069a46dd166eeb466bf581
https://doi.org/10.31318/2522-4190.2021.130.231181
https://doi.org/10.31318/2522-4190.2021.130.231181
Autor:
Valeriya Zharkova
Publikováno v:
Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018).
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d6ae9667a0fd77236f1d8559fc7ba35f
https://doi.org/10.2991/icassee-18.2018.99
https://doi.org/10.2991/icassee-18.2018.99