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pro vyhledávání: '"Valerie A. Briginshaw"'
Autor:
Valerie A. Briginshaw
Publikováno v:
Topoi. 24:15-28
In this paper I identify and explore resonances between a contemporary dance piece – Jonathan Burrows’s and Matteo Fargion’s Both Sitting Duet (2003) – and some theories from Gilles Deleuze’s Difference and Repetition (1994). The duet consi
Autor:
Valerie A. Briginshaw
Publikováno v:
Dance Research. 22:85-90
Autor:
Valerie A. Briginshaw
Publikováno v:
Signs: Journal of Women in Culture and Society. 25:977-980
Autor:
Valerie A. Briginshaw, Ramsay Burt
Publikováno v:
Writing Dancing Together
This collection of essays and interviews, written both separately and together over the last fifteen years traces a journey of writing and thinking about dance together. In doing so, it points to new ways of writing about and studying dance that focu
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::a5d52ea522a4133b89b2431332597b2e
http://hdl.handle.net/2086/6310
http://hdl.handle.net/2086/6310
Autor:
Valerie A. Briginshaw
Publikováno v:
Dance, Space and Subjectivity ISBN: 9780230229792
While the focus in the last three chapters has been on actual and metaphorical indeterminate hybrid in-between spaces, the concern in this and the next chapter shifts to bodies, specifically the actual and conceptual boundaries of bodies where bodies
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::25e79d70aeebf88bda7f2f5975351828
https://doi.org/10.1057/9780230272354_8
https://doi.org/10.1057/9780230272354_8
Autor:
Valerie A. Briginshaw
Publikováno v:
Dance, Space and Subjectivity ISBN: 9780230229792
While the discussions of dance works in Part I were concerned with constructions, dynamics and qualities of particular outdoor spaces and locations, and how these contribute to constructions of subjectivity, specifically with reference to gender, the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f2015eccf315be5c327dc0baff206ae9
https://doi.org/10.1057/9780230272354_5
https://doi.org/10.1057/9780230272354_5
Autor:
Valerie A. Briginshaw
Publikováno v:
Writing Dancing Together ISBN: 9781349358465
The repeated use by many critics of the words ‘visceral’ and ‘intense’ or ‘intensity’ was notable in the reviews of the 2008 visit of Pina Bausch’s Wuppertal Tanztheater to Sadler’s Wells Theatre, where the company performed Cafe Mull
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d0b2cfa1ee9f2c25eccb463b70476804
https://doi.org/10.1057/9780230235335_7
https://doi.org/10.1057/9780230235335_7
Autor:
Valerie A. Briginshaw
Publikováno v:
Dance, Space and Subjectivity ISBN: 9780230229792
Whereras the first two chapters in Part II focused on in-between spaces derived from actual spaces between dancers (in Chapter 5), and from diasporic spaces (in Chapter 6), a discursive in-between space provides a symbolic reference for the explorati
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3d7bbaf33aa111cba2a574986016b38e
https://doi.org/10.1057/9780230272354_7
https://doi.org/10.1057/9780230272354_7
Autor:
Valerie A. Briginshaw, Ramsay Burt
Publikováno v:
Writing Dancing Together ISBN: 9781349358465
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::265c83f67d8e0ebbde6b8c0c6d1063a6
https://doi.org/10.1057/9780230235335_14
https://doi.org/10.1057/9780230235335_14