Zobrazeno 1 - 10
of 42
pro vyhledávání: '"Valérie MORISSON"'
Autor:
Valérie Morisson
Publikováno v:
Review of Irish Studies in Europe, Vol 5, Iss 2 (2022)
Review of Art & The Nation State, The Reception of Modern Art in Ireland, by Róisín Kennedy (Liverpool : Liverpool University Press, 2021), 292 pp., ISBN: 978-1-78962-235-5, $105,49
Externí odkaz:
https://doaj.org/article/2e5680a889d6400c9587afb56ebac144
Autor:
Valérie Morisson
Publikováno v:
Interfaces, Vol 43, Pp 5-10 (2020)
Externí odkaz:
https://doaj.org/article/37b4e08393b0409b9d28bad7467356ab
Autor:
Ernst Van Alphen, Valérie Morisson
Publikováno v:
Interfaces, Vol 43, Pp 65-74 (2020)
Externí odkaz:
https://doaj.org/article/19f169ef97584cb1b341e526e6d1c72d
Autor:
Françoise Le Corre, Valérie Morisson
Publikováno v:
Interfaces, Vol 43, Pp 27-33 (2020)
Externí odkaz:
https://doaj.org/article/695d870224b343e5b3995d4b6e5eec96
Autor:
Alexandre Melay, Valérie Morisson
Publikováno v:
Interfaces, Vol 45 (2021)
This article is part of a research-creation project where the concept of “format” can be questioned through the medium of the artist’s book. Endowed with specific material and formal qualities, the book-object is an open artistic medium generat
Externí odkaz:
https://doaj.org/article/5711abdf43624ee790549b10dc5913f9
Publikováno v:
Interfaces, Vol 45 (2021)
Externí odkaz:
https://doaj.org/article/b0ecb86ea12e49819567776e177138c7
Autor:
Valérie Morisson
Publikováno v:
Sillages Critiques, Vol 27 (2019)
The installations and performances designed by Dorothy Cross, a contemporary Irish artist, are based upon her respect for nature. They challenge anthropocentrism in a poetic manner. By staging the sudden appearance of an archaic bestiality embodied b
Externí odkaz:
https://doaj.org/article/d8301ae8e0e342a18bbfeae499d0f0f6
Autor:
Valérie MORISSON
Publikováno v:
E-REA, Vol 16 (2019)
This article aims at furthering our understanding of costuming in self-portraiture through the analysis of Janieta Eyre’s photographic works. Exploring the fictionalizing potentialities of photography and flouting the conventions of self-portraitur
Externí odkaz:
https://doaj.org/article/988fcf2126e34f46a60c33ad7e026e32
Autor:
Valérie Morisson
Publikováno v:
Miranda: Revue Pluridisciplinaire du Monde Anglophone, Vol 16 (2018)
Far from merely democratizing scientific research, the artists in residency at SymbioticA (Perth, Australia) use the laboratory as a studio or workshop and organic substances as artistic material. The long experimental processes that they carry out l
Externí odkaz:
https://doaj.org/article/f7245a7dfa754f9a808711047f553ed6
Autor:
Valérie Morisson
Publikováno v:
Études Britanniques Contemporaines, Vol 53 (2017)
Danny Treacy’s photographic series, Them (2002-), is made up of large-size self-portraits of the artist camouflaged in second-hand costumes stitched out of fragments of found clothes. The series is a commemorative work paying a tribute to outcasts
Externí odkaz:
https://doaj.org/article/bce5d58c6c80426e9f8d224ee2515c9e