The Bloomsbury Handbook of Sound Art. Edited by Sanne Krogh Groth and Holger Schulze. Bloomsbury, 2020.

Autor: Vadim Keylin

Publikováno v: SoundEffects, Vol 10, Iss 1 (2021)

Externí odkaz: https://doaj.org/article/945930ce49c44598a7104e8338dd5ac3

Crash, boom, bang

Autor: Vadim Keylin

Publikováno v: SoundEffects, Vol 9, Iss 1 (2020)

Audience participation is a prominent thread running through much of sound art practice, yet it remains largely absent from the sound art scholarship. In this article, I argue that the most widespread methodologies employed in sound art research –

Externí odkaz: https://doaj.org/article/7c2658fe885d426f875b751ce36c5199

Unauthored Music and Ready-Made Landscapes: Aeolian Sound Sculpture

Autor: Vadim Keylin

Publikováno v: Gli Spazi della Musica, Vol 4, Iss 2 (2016)

The paper explores the practice of Aeolian sound sculpture from three main angles: musical, environmental and architectural. As musical pieces, such works can be regarded as a kind of aleatory practice that allows the composer to completely surrender

Externí odkaz: https://doaj.org/article/3f8db6d1c48048ae8c06b30c8f54d8a0

Interactive and Participatory Sound

Autor: Vadim Keylin

Publikováno v: The Palgrave Handbook of Intermediality ISBN: 9783030912635

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::3e73aa2bed58b15a1a705e7af26510e2
https://doi.org/10.1007/978-3-030-91263-5_55-1

Bloomsbury Handbook of Sound Art. Edited by Sanne Krogh Groth and Holger Schulze. Bloomsbury, 2020

Autor: Vadim Keylin

Publikováno v: SoundEffects, Vol 10, Iss 1 (2021)
Keylin, V 2021, ' The Bloomsbury Handbook of Sound Art. Edited by Sanne Krogh Groth and Holger Schulze. Bloomsbury, 2020 ', SoundEffects-An Interdisciplinary Journal of Sound and Sound Experience, vol. 10, no. 1, pp. 190-194 . https://doi.org/10.7146/se.v10i1.124206

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::81386cfe01a6845c1dc2735845393d1e
https://doi.org/10.7146/se.v10i1.124206