Zobrazeno 1 - 10
of 25
pro vyhledávání: '"VESNA PENO"'
Autor:
IVANA VESIĆ, VESNA PENO
Publikováno v:
Истраживања, Iss 31 (2020)
In this paper we will consider how, from the beginning to the end of the 1980s, the Serbian Orthodox Church gradually abandoned its restricted mode of public action and moved from an enclave form, with occasional elements of counterpublics, to a domi
Externí odkaz:
https://doaj.org/article/dde985f6189348d0afbc1b8028acd840
Autor:
Vesna Peno, Ivana Vesić
Publikováno v:
Muzikološki Zbornik, Vol 54, Iss 1, Pp 49-58 (2018)
In this paper, we will focus on the historical reconstruction of Stevan Stojanović Mokranjac’s work in the field of melography and pedagogy of Serbian church chant. Since the prestigious status he reached among his contemporaries, as well as music
Externí odkaz:
https://doaj.org/article/713cc444007b40199205e62ee309a3eb
Autor:
Vesna Peno Sara
Publikováno v:
Muzikologija, Vol 2020, Iss 28, Pp 17-32 (2020)
There are still no argumentative answers about the extent to which and in what way the share of Russian singing practice in Serbian church singing is present. The ways in which the Serbian melody reached Russian singers are not known either. The pape
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::bb2790678800cfb746428c31c3a85187
https://doi.org/10.2298/muz2028017p
https://doi.org/10.2298/muz2028017p
Autor:
Goran Vasin, Vesna Peno
Publikováno v:
The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century)
The aspiration to take a general perspective of the development of Serbian church and art music in the 19th century within the broader sociopolitical and cultural context implies, according to recent findings, revision of the accepted theses in music
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::51b47929efb0eda30cd967a3dce38d60
https://dais.sanu.ac.rs/handle/123456789/10374
https://dais.sanu.ac.rs/handle/123456789/10374
Autor:
Vesna Peno, Ivana Vesic
Publikováno v:
Istraživanja/Journal of Historical Researches
Истраживања, Iss 31 (2020)
Истраживања, Iss 31 (2020)
In this paper we will consider how, from the beginning to the end of the 1980s, the Serbian Orthodox Church gradually abandoned its restricted mode of public action and moved from an enclave form, with occasional elements of counterpublics, to a domi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::55aa0580b768790d3559bb7b8a1f097b
https://hdl.handle.net/21.15107/rcub_dais_12767
https://hdl.handle.net/21.15107/rcub_dais_12767
Autor:
Aleksandar Vasic, Vesna Peno
Publikováno v:
Muzikologija, Vol 2018, Iss 25, Pp 77-90 (2018)
The beginnings of Serbian musical historiography can be traced back to the nineteenth century. The first half of that century is marked by the work of musical amateurs, and later professionals were gradually trained. The beginnings of Serbian musical
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::d316d50c4dda451054010062ef4c9266
http://www.doiserbia.nb.rs/img/doi/1450-9814/2018/1450-98141825077P.pdf
http://www.doiserbia.nb.rs/img/doi/1450-9814/2018/1450-98141825077P.pdf
Autor:
Vesna Peno, Ivana Vesic
Publikováno v:
Zbornik Matice srpske za drustvene nauke. :651-664
Shaped in complex social circumstances and in accordance with the postulates of baroque historicism, Serbian ecclesial art has expressed clear tendency toward nationalization of Serbian religious identity during the 18th century. Due to general music
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c0d264955f2001f2338df81271544fd7
https://doi.org/10.2298/zmsdn1764651p
https://doi.org/10.2298/zmsdn1764651p
Autor:
Ivana Vesic, Vesna Peno
Publikováno v:
Muzikologija, Vol 2016, Iss 20, Pp 135-150 (2016)
In this paper we investigate the process of the creation and embodiment of the concept of Serbian folk church chant throughout the 19th and the beginning of the 20th century among Serbian intellectuals and scholars. In order to indicate its main dime
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::6bfee62c00bfae14cfaf0575e8eda2cd
http://www.doiserbia.nb.rs/img/doi/1450-9814/2016/1450-98141620135P.pdf
http://www.doiserbia.nb.rs/img/doi/1450-9814/2016/1450-98141620135P.pdf
Autor:
Vesna Peno, Ivana Vesic
Publikováno v:
New Sound-International Magazine for Music (2018) (51):43-63
New Sound
New Sound
In this paper we focused on investigating how the sphere of musical amateurism functioned in Yugoslavia in the decades following the end of WWII. Observing through changes in the role and significance of amateur music ensembles, specifically choirs,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::e19550b1edbe7d0befac4233b8a153f8
http://scindeks.ceon.rs/article.aspx?artid=0354-818X1851043V
http://scindeks.ceon.rs/article.aspx?artid=0354-818X1851043V