Zobrazeno 1 - 10
of 11
pro vyhledávání: '"Una Roman D'Elia"'
Autor:
Una Roman D’Elia
Raphael's Ostrich begins with a little-studied aspect of Raphael's painting—the ostrich, which appears as an attribute of Justice, painted in the Sala di Costantino in the Vatican. Una Roman D'Elia traces the cultural and artistic history of the os
Publikováno v:
Renaissance and Reformation. 41:181-184
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::091f214d2da96dfa7c40ee4b8c395e15
https://doi.org/10.33137/rr.v41i1.29531
https://doi.org/10.33137/rr.v41i1.29531
Publikováno v:
Renaissance and Reformation. 41:178-181
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d6db150545e37d504ae16dc292349321
https://doi.org/10.33137/rr.v41i1.29530
https://doi.org/10.33137/rr.v41i1.29530
Autor:
Una Roman D’Elia
Publikováno v:
Source: Notes in the History of Art. 33:5-12
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9744f587cb46c64b5a2c1eb8865d145a
https://doi.org/10.1086/sou.33.2.23611168
https://doi.org/10.1086/sou.33.2.23611168
Autor:
Una Roman D’Elia
Publikováno v:
Studies in the History of Gardens & Designed Landscapes. 31:1-25
Jacopo Bonfadio wrote in 1541, when comparing the countryside around Naples to that near Florence: ‘Nature seems to lord with authority, but in ruling everywhere rejoices and laughs’. 1 The abundan...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ced8a0ac541a5cb4fdab5330f74fb610
https://doi.org/10.1080/14601176.2011.523957
https://doi.org/10.1080/14601176.2011.523957
Autor:
Una Roman D’Elia
Publikováno v:
Renaissance Quarterly. 59:90-129
This article discusses Michelangelo’s drawings for Vittoria Colonna in relation to poetry and prose by Michelangelo, Colonna, and their circle. It focuses on the intersection between debates about Church reform and the polemic aboutdisegno(drawing
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::11e0f856018ce6d7dd16c1bd274d0f58
https://doi.org/10.1353/ren.2008.0151
https://doi.org/10.1353/ren.2008.0151
Autor:
Una Roman D’Elia
Publikováno v:
Word & Image. 20:206-218
Tintoretto, in his little-studied Creation of the Birds, Fish, and Animals (figure 1), portrayed God's creation as velocity. God flies across the canvas, animating the animals, who fly, swim, leap, and gallop in the same direction at the very moment
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b1b5d1a88a6e24314a9495c3c15fe36a
https://doi.org/10.1080/02666286.2004.10444017
https://doi.org/10.1080/02666286.2004.10444017
Publikováno v:
Renaissance and Reformation. 30:139-141
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::efbe5d7215283e1171d83f9ccf519af2
https://doi.org/10.33137/rr.v30i1.9143
https://doi.org/10.33137/rr.v30i1.9143