Zobrazeno 1 - 10
of 83
pro vyhledávání: '"Ulinka Rublack"'
Autor:
Giorgio Riello, Ulinka Rublack
This is the first global history of dress regulation and its place in broader debates around how human life and societies should be visualised and materialised. Sumptuary laws were a tool on the part of states to regulate not only manufacturing syste
Autor:
Ulinka Rublack
This article asks how we should best historically situate processes of making and knowing in early modern luxury crafts. It focuses on the Augsburg merchant Philipp Hainhofer (1578–1647) and his celebrated cabinets of curiosities. The article metho
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::8e3a5a9ea966534a229974a7980a1a3b
https://www.repository.cam.ac.uk/handle/1810/349421
https://www.repository.cam.ac.uk/handle/1810/349421
Autor:
Ulinka Rublack
Publikováno v:
Journal of Design History.
Autor:
Ulinka Rublack
Publikováno v:
The American Historical Review. 126:19-53
This article contributes to the material turn. It shows how an inquiry into the social life of materiality, with distinctive methodologies such as reconstruction and object-led-approaches, changes our understanding of the past. It advances our thinki
Autor:
Ulinka Rublack, Stefan Hanß
Publikováno v:
Hanß, S & Rublack, U 2021, ' Knowledge Production, Image Networks, and the Material Significance of Feathers in Late Humanist Heidelberg ', Renaissance Quarterly, vol. 74, no. 2, pp. 412–453 . https://doi.org/10.1017/rqx.2021.2
Examining the three volumes of birds assembled by Marcus zum Lamm (1544–1606), a Calvinist lawyer, court official, and church councillor in Heidelberg, this article explores visual and material cultures at a Calvinist court. We argue that Lamm was
Autor:
Ulinka Rublack
Publikováno v:
Contamination and Purity in Early Modern Art and Architecture ISBN: 9789048541003
Materialized Identities in Early Modern Culture, 1450-1750
Materialized Identities in Early Modern Culture, 1450-1750
This article analyses feather-work as central material in the culture of a German court around 1600. Materials afforded meanings, invited specific practices, and thus became agents that “enmeshed” an audience to endorse new social, economic, and
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::2d64a4b2fb26fb6d4a39508e00f56d3c
https://doi.org/10.2307/j.ctv1w9m9f9.9
https://doi.org/10.2307/j.ctv1w9m9f9.9
Autor:
Ulinka Rublack
Publikováno v:
German History. 38:663-665
This major volume aims to re-colour the European world of dress, c.1300-1800. New dyes created one of the most important visual experiences of the period, yet their story has been side-lined by a focus on visual experiences shaped by the high arts. M