Zobrazeno 1 - 10
of 25
pro vyhledávání: '"UKAMAU"'
Autor:
Seguí, Isabel
Publikováno v:
Interlitteraria. XXII(1):180-193
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=577926
Autor:
Isabel Seguí
Publikováno v:
Interlitteraria, Vol 22, Iss 1 (2017)
Abstract. Awarded in Europe but censored in Bolivia during thirteen years, The Courage of the People (Jorge Sanjinés, Bolivia, 1971) is an outstanding example of Latin American collaborative political cinema. The film is an account of the massacre o
Externí odkaz:
https://doaj.org/article/f2c2f3358eac42e3887861e0944d7e25
Autor:
Isabel Seguí
Publikováno v:
Segui, I 2021, ' Beatriz Palacios : Ukamau’s Cornerstone (1974–2003) ', Latin American Perspectives, vol. 48, no. 2, pp. 77-92 . https://doi.org/10.1177/0094582X20988693
Beatriz Palacios’s instrumental role in the Ukamau group has been largely ignored by film historiography and criticism. The authorial persona of her comrade and husband, Jorge Sanjinés, has eclipsed Palacios’s work and ideas. Her erasure is due
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::6354561b979222f852c236adcb857955
https://doi.org/10.1177/0094582x20988693
https://doi.org/10.1177/0094582x20988693
Autor:
María Gabriela Aimaretti
Publikováno v:
Telar, Iss 13-14 (2016)
Aceptando la necesidad del plano simbólico para la articulación y renovación del sentido sobre el pasado, es decir, reconociendo su importancia en los trabajos de la memoria, nos proponemos reflexionar sobre cómo el cine del Grupo Ukamau (GU) dir
Externí odkaz:
https://doaj.org/article/7031f01f0aeb490e8fb946413d0079b9
Autor:
Isabel Seguí
Publikováno v:
Seguí, I 2020, ' Las Mujeres del Grupo Ukamau : Dentro y fuera de la pantalla ', Secuencias. Revista de historia del cine, no. 49-50, pp. 33-56 . https://doi.org/10.15366/secuencias2019.49-50.002
University of Aberdeen-PURE
University of Aberdeen-PURE
The Ukamau group has a long history that spans more than sixty years. The oral accounts acknowledge that women participated in all the different phases of the group, undertaking instrumental roles in front of and behind the camera. However, they have
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::21102b16e72f4c76cabfd6948850daee
https://doi.org/10.15366/secuencias2019.49-50.002
https://doi.org/10.15366/secuencias2019.49-50.002
Autor:
María Gabriela Aimaretti
Publikováno v:
Significação: Revista de Cultura Audiovisual, Vol 42, Iss 44 (2015)
La revelación de las distintas expresiones de la violencia política —institucional, económica, social y simbólica–, y la problematización del ejercicio de la fuerza “desde abajo” en pos de un cambio revolucionario, han sido tópicos recu
Externí odkaz:
https://doaj.org/article/4acc171f5325402783820aede26c4553
Publikováno v:
Cadernos Metrópole, Vol 21, Iss 46, Pp 763-782
Cadernos Metrópole v.21 n.46 2019
Cadernos Metrópole
Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
Cadernos Metrópole v.21 n.46 2019
Cadernos Metrópole
Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
Resumen El consenso neoliberal chileno promovido desde la dictadura militar hasta la actualidad, instaló la despolitización de los procesos sociales, donde las luchas por la vivienda fueron contraídas por la vivienda en propiedad. La reclamación
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::5620b78a805d07418db106e7f6c9576a
https://doi.org/10.1590/2236-9996.2019-4604
https://doi.org/10.1590/2236-9996.2019-4604
Autor:
Seguí, Isabel
This thesis examines the work of three women, active in the production of oppositional cinema in the Andes in the last third of the 20th century: Beatriz Palacios, María Barea and Domitila Chungara. A focus on women’s contributions is crucial for
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4c5aebb668c3d5241d24f69c9c2ecf90
Autor:
Segui, Isabel
Publikováno v:
Segui, I 2020, ' El cine según las amas de casa mineras : Agenda subalterna, performance y comunicación política (Bolivia, 1971-1994) ', Estudios del ISHIR, vol. 10, no. 28 . < http://portal.amelica.org/ameli/jatsRepo/422/4221785006/index.html >
This article analyzes the political motivations and communication strategy of the collectives of housewives organised within the Bolivian mining unions, with a focus on their cinematographic participation, during the last three decades of the 20th ce
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3094::a39d902502c22b5cc0d67ee05c1892c6
https://hdl.handle.net/20.500.11820/ea0ed459-a701-4b39-9f24-f004b1803a78
https://hdl.handle.net/20.500.11820/ea0ed459-a701-4b39-9f24-f004b1803a78
This dissertation examines how several alternative, autonomous collectives in Bolivia are creating new names, new languages and new ways of imagining and carrying out political practices that lead to social transformations. These emancipatory activit