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Agina, Añulika, Alipanah, Hadi, Babić, Gaby, Balatbat-Helbock, Lynhan, Balsom, Erika, Beckmann, Marie Sophie, Bernien, Mareike, Biswas, Amrita, Çakmak, Sema, Campanini, Sonia, Carter, Erica, Çelikaslan, Özge, César, Filipa, Cheeka, Didi, Davis, Vaginal, Dutta, Madhusree, El Said, Tamer, Escobar López, Almudena, Glazunova, Mariia, Gregor, Ulrich, Goncharuk, Olena, Gramann, Karola, Hariharan, Veena, Hassan, Mohammad Shawky, Heredia, Shai, Hering, Tobias, Ingravalle, Grazia, Kaushik, Ritika, Keidl, Philipp Dominik, Pratiwi, Julita, Rahman, Lisabona, Khitsinska, Ivanna, Kim, Hieyoon, Kloeckner, Laura, Kröger, Merle, Makarevic, Asja, Meyn, Nils, Ndaliko Katondolo, Petna, Ohene-Asah, Rebecca, Pantenburg, Volker, Perneczky, Nikolaus, Pitassio, Francesco, Ruhm, Constanze, Schlüpmann, Heide, Schneider, Alexandra, Shambu, Girish, Siegel, Marc, Sungu, Can, Thieme, Clarissa, Turajlić, Mila, Vasudevan, Ravi, Venturini, Simone, Younis, Ala
In the digital media ecology, archives are changing. Artists, curators, critics and scholars assume the role of accidental archivists. They shape cinema’s futures by salvaging precarious repositories and making them matter in new ways. In the proce
Externí odkaz:
https://library.oapen.org/handle/20.500.12657/88705
Akademický článek
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Autor:
Turajlić, Mila
During the 1960s, Filmske Novosti (the state-run Yugoslav Newsreels) played a key role in the representation of President Josip Broz Tito’s international travels. Tito visited newly independent African and Asian countries in search of political all
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b91d0c1b56cb2dabde0ebc3ce362719c