Zobrazeno 1 - 10
of 37
pro vyhledávání: '"Tully Barnett"'
Publikováno v:
Pop! Public. Open. Participatory.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d2f1628a81414af9d6fb420c189119bb
https://doi.org/10.54590/pop.2022.001
https://doi.org/10.54590/pop.2022.001
Autor:
Tully Barnett
Publikováno v:
Book 2.0. 10:43-58
In this article, I propose the concept of hyperparatextuality as a way of looking beyond the digital paratext to consider the distributed state of immersive reading in digitized and read-in-browser environments. Beginning with a look at the history o
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8205250db7b8a79be9840c7806370798
https://doi.org/10.1386/btwo_00019_1
https://doi.org/10.1386/btwo_00019_1
Autor:
Tully Barnett
Publikováno v:
Routledge Companion to Audiences and the Performing Arts ISBN: 9781003033226
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8931472164c828738c613767dc319e73
https://doi.org/10.4324/9781003033226-33
https://doi.org/10.4324/9781003033226-33
The Creative City Unlike the terms ‘creative industries’, which nobody ever quite understood, and ‘creative class’, about which actual ‘creatives’ were always ambiguous, the ‘creative city’ has been an incredibly successful global pol
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::46de87e922d4532369dca8f2c84e4e4f
https://hdl.handle.net/11541.2/30993
https://hdl.handle.net/11541.2/30993
The introduction to a special issue of Pop! Public. Open. Participatory, comprised of papers fromEngaging Open Social Scholarship, a Canadian-Australianevent held in December 2020.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::1e2965c6a0f23669ad8f4e402aebdd22
Autor:
Tully Barnett
Publikováno v:
The Bloomsbury Handbook to the Digital Humanities ISBN: 9781350232112
Tully Barnett
Tully Barnett
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4d7c19dc5f92dbbcbda19e0913ff1ed6
https://doi.org/10.5040/9781350232143.ch-38
https://doi.org/10.5040/9781350232143.ch-38
Beyond Virtual Production brings together a range of creative practice research projects that have been undertaken in The Void, an early-adopter university-based virtual production studio at Flinders University in South Australia.From a cross-discipl
Publikováno v:
The Journal of Arts Management, Law, and Society. 49:375-388
Narratives are an important tool in organizational theory, but we need a better analysis of their affordances to be fit for the purposes of the arts and cultural sector. This article consid...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::04bb054ebfc259e199ffb571bc181837
https://doi.org/10.1080/10632921.2019.1646176
https://doi.org/10.1080/10632921.2019.1646176
Autor:
Tully Barnett, Julian Meyrick
In this chapter, we consider dominant arguments for the ‘disaggregation’ of the value of culture into discrete dimensions – economic, social, environmental, heritage and cultural and so forth – and their separate measurement. We discuss the r
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c242f929082b8fafa1713a17c16212db
https://doi.org/10.1108/978-1-78973-515-420211004
https://doi.org/10.1108/978-1-78973-515-420211004
Publikováno v:
Media International Australia. 171:80-94
This article considers the role of reporting processes in the assessment of arts and culture and argues that a determination of an organisation’s or event’s value is the result of a chain of administrative and political interactions. The ‘confe
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::294289ef76efb6d0d8a45e99c60434a4
https://doi.org/10.1177/1329878x18798704
https://doi.org/10.1177/1329878x18798704