Zobrazeno 1 - 10
of 18
pro vyhledávání: '"Tony Langlois"'
Autor:
Tony Langlois
Publikováno v:
Ethnomusicology Forum. 28:241-244
At its core, this excellent ethnography aims to tease out the highly complex relations existing between Moroccan ritual practices and popular musics. In so doing, it engages with such important iss...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::79eefcddbfd8774e96384aad9a474d33
https://doi.org/10.1080/17411912.2019.1666021
https://doi.org/10.1080/17411912.2019.1666021
Autor:
Tony Langlois, Aileen Dillane
Publikováno v:
Transforming Ethnomusicology Volume II
This chapter explores the methodological and ideological challenges and opportunities faced in an urban soundscapes project based in the small, multicultural, and post-industrial city of Limerick, Ireland, which is currently undergoing a process of u
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::570c2ce647ed526a3a03d5a22209b278
https://doi.org/10.1093/oso/9780197517550.003.0006
https://doi.org/10.1093/oso/9780197517550.003.0006
Autor:
Tony Langlois
Publikováno v:
Algeria
This chapter looks at the role of musical genres in the borderland between Oran in Western Algeria and Oujda in Eastern Morocco – in many ways a single cultural and economic zone that is distinct from the core of each of their respective nations. O
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::19de67a6a0968db515dc5133e6966521
https://doi.org/10.2307/j.ctt1ps3347.14
https://doi.org/10.2307/j.ctt1ps3347.14
Autor:
Aileen Dillane, Tony Langlois
Publikováno v:
Journal of Urban Cultural Studies. 2:135-150
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8ebc45baf857dc4f246c31fc9a8cebcb
https://doi.org/10.1386/jucs.2.1-2.135_1
https://doi.org/10.1386/jucs.2.1-2.135_1
Publikováno v:
Journal of Urban Cultural Studies. 2:89-105
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::292c5e71059f8c5efd2e0c6e9afa3091
https://doi.org/10.1386/jucs.2.1-2.89_1
https://doi.org/10.1386/jucs.2.1-2.89_1
Autor:
Tony Langlois
Contents: Introduction Part I Pop, Power and Identity: Islam, the Turkish state and Arabesk, Martin Stokes Starting from nowhere? Popular music in Cambodia after the Khmer Rouge, Stephen Mamula Soccer, popular music and national consciousness in post
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f351c6b646d948568bd223b2050e34dc
https://doi.org/10.4324/9781315090450
https://doi.org/10.4324/9781315090450
Autor:
Tony Langlois
This collection provides readers with a diverse and contemporary overview of research in the field. Drawing upon scholarly writing from a range of disciplines and approaches, it provides case studies from a wide range of'non Western'musical contexts.
Autor:
Tony Langlois
Publikováno v:
Music, Sound, and the Moving Image. 3:71-85
Technologies for the consumption and production of global media have brought ‘foreign bodies’ into the domestic spaces of millions of Moroccans. Such unprecedented access to cultural materials is, however, negotiated at a local and familial level
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c1bdd32a6c349bacd9cbeadad4f45fc6
https://doi.org/10.3828/msmi.3.1.4
https://doi.org/10.3828/msmi.3.1.4
Autor:
Tony Langlois
Publikováno v:
British Journal of Canadian Studies. 19:201-219
This article contrasts policy responses to cultural diversity which have been adopted in two very different geopolitical contexts. Although in both Canada and Northern Ireland, such policies are legitimised in discursive terms relating to cultural an
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5db0464f3fad3634abb0959b91a55336
https://doi.org/10.3828/bjcs.19.2.7
https://doi.org/10.3828/bjcs.19.2.7