Zobrazeno 1 - 10
of 27
pro vyhledávání: '"Tony Bolden"'
Autor:
Tony Bolden
Publikováno v:
The Langston Hughes Review. 28:109-123
Autor:
Tony Bolden
Publikováno v:
Journal of Foreign Languages and Cultures. 4:134-143
This essay was inspired by the death and devastation related to the pandemic of Covid-19 which intensified the ways that preexisting sociopolitical contradictions affected black people. Before the pandemic it was commonplace for thinkers to describe
Autor:
Tony Bolden
Publikováno v:
CLA Journal. 63:190-198
Autor:
Tony Bolden
Groove Theory traces the concept of funk from the beginning of the blues era around 1890 to its manifestation as a full-fledged genre in the 1970s. This chapter provides an introduction. In the chapters, Bolden examines the development of blue funk i
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::725f64ffa89483c5fe56197ecde738da
https://doi.org/10.14325/mississippi/9781496830524.003.0001
https://doi.org/10.14325/mississippi/9781496830524.003.0001
Autor:
Tony Bolden
and Keywords to be supplied.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::22575f864265abcdbf269359b8734738
https://doi.org/10.14325/mississippi/9781496830524.003.0008
https://doi.org/10.14325/mississippi/9781496830524.003.0008
Autor:
Tony Bolden
Publikováno v:
Groove Theory
This chapter examines Sly Stone as an organic intellectual, that is, a poet-songwriter, imaginative thinker, and visionary artist whose band, Sly and the Family Stone, played a foundational role in creating funk music and the broader cultural aesthet
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b943c6795e828ce0b0b2f7deb96c5871
https://doi.org/10.14325/mississippi/9781496830524.003.0004
https://doi.org/10.14325/mississippi/9781496830524.003.0004
Autor:
Tony Bolden
Publikováno v:
Groove Theory
This chapter showcases Betty Davis’s transposition of women’s blues into rock-inflected version of funk. Bolden advances two key arguments. First, Davis reprised the sexual politics and rebellious spirit exemplified by singers Bessie Smith and Id
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8739b106489367ea66e8bae6927ca2b6
https://doi.org/10.14325/mississippi/9781496830524.003.0007
https://doi.org/10.14325/mississippi/9781496830524.003.0007
Autor:
Tony Bolden
Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::8b4388184243ace117f57aa68ed55a2c
https://doi.org/10.2307/j.ctv177tg36
https://doi.org/10.2307/j.ctv177tg36
Autor:
Tony Bolden
Publikováno v:
Groove Theory
This chapter examines Gil Scott-Heron as an exemplar of the socio-political manifestation of the contrarianism in funk aesthetics. Combining biographical information from Scott-Heron’s memoir and interviews, critical methods from literary scholarsh
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c765671da54d3119abfeed8636daaec9
https://doi.org/10.14325/mississippi/9781496830524.003.0006
https://doi.org/10.14325/mississippi/9781496830524.003.0006
Autor:
Tony Bolden
Publikováno v:
Groove Theory
This chapter examines Khan’s development into a powerhouse singer and talented songwriter as the frontwoman of Rufus. Drawing Khan’s childhood experiences described in her memoir, as well as musicologist Guthrie P. Ramsey, Jr.’s notion of black
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6e3323061b02dd43b12f8225844a8272
https://doi.org/10.14325/mississippi/9781496830524.003.0005
https://doi.org/10.14325/mississippi/9781496830524.003.0005