Zobrazeno 1 - 7
of 7
pro vyhledávání: '"Toni Bechtold"'
Publikováno v:
Empirical Musicology Review, Vol 16, Iss 1, Pp 114-123 (2021)
Patterned microtiming deviations from metronomic regularity are ubiquitous in the performance of metered music. The relevance of microtiming to the perception of music has been studied since the 1980s. Most recently, microtiming has been investigated
Externí odkaz:
https://doaj.org/article/64eebfc5d0a14b1797aa6ffd504cfbae
Autor:
Olivier Senn, Dawn Rose, Toni Bechtold, Lorenz Kilchenmann, Florian Hoesl, Rafael Jerjen, Antonio Baldassarre, Elena Alessandri
Publikováno v:
Frontiers in Psychology, Vol 10 (2019)
Externí odkaz:
https://doaj.org/article/0280f7eb709747509aab8120a8c488a0
Publikováno v:
PLoS ONE, Vol 13, Iss 6, p e0199604 (2018)
Music psychology defines groove as humans' pleasureable urge to move their body in synchrony with music. Past research has found that rhythmic syncopation, event density, beat salience, and rhythmic variability are positively associated with groove.
Externí odkaz:
https://doaj.org/article/f01e98799bb24bc0884ae832a2a18f60
Autor:
Olivier Senn, Toni Bechtold, Florian Hoesl, Rafael Jerjen, Lorenz Kilchenmann, Dawn Carole Rose, Antonio Baldassarre, Carlo Sigrist, Elena Alessandri
Publikováno v:
Journal of Experimental Psychology: Human Perception and Performance. 49:290-305
The experience of wanting to move in response to music is commonly known as feeling the groove. According to the psychological model of musical groove by Senn et al. (2019), the causes for the urge to move are linked to the properties of the music it
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::7441fa96e6faad3711a43d52cb091bf0
https://doi.org/10.1037/xhp0001087
https://doi.org/10.1037/xhp0001087
When speaking about music, the term groove can refer to objective qualities, such as specific rhythmical patterns in certain genres, or to subjective experiences, such as the pleasurable urge to move to the music. The mere juxtaposition of objective
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2063c978ef48e1cf62159f4a5663a07d
https://doi.org/10.31234/osf.io/74qbg
https://doi.org/10.31234/osf.io/74qbg
Autor:
Olivier Senn, Florian Hoesl, Rafael Jerjen, Toni Bechtold, Lorenz Kilchenmann, Dawn Carole Rose, Elena Alessandri
This study presents an audio stimuli set of forty drum patterns from Western popular music together with empirical data on the stimuli’s perceived complexity. The audio stimuli are meticulous reconstructions of drum patterns found in commercial rec
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8f61ed2f40e79622a820fc20504028d4
https://doi.org/10.31234/osf.io/25zgq
https://doi.org/10.31234/osf.io/25zgq
The majority of music psychologists understands the groove experience as a pleasurable urge to move in response to music. Senn et al.’s (2019, 2022) psychological model of musical groove formulates hypotheses about the cognitive processes and other
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::43aab7265dca9d61e27eacf6d925b0a7
https://doi.org/10.31234/osf.io/kmv59
https://doi.org/10.31234/osf.io/kmv59