Zobrazeno 1 - 8
of 8
pro vyhledávání: '"Tomaso Albinoni"'
Autor:
Tomaso Albinoni
These six sonatas and six suites demonstrate the expansive lyricism and the contrapuntal texture characteristic of Italian chamber music in the early 1700s. In the fast movements of the sonatas, the soloists play in canon, with occasional imitation i
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5ce6877d48db91d5f73d7a7e4394f585
https://doi.org/10.31022/b052
https://doi.org/10.31022/b052
Pietro Pariati's Pimpinone, composed by Albinoni in 1708, was one of the most representative and popular intermezzi of its day, remaining in the repertoire for over thirty years. As well as demonstrating for the first time in print Albinoni's qualiti
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cb631e8410ba5d90dfc14fc4babdce28
https://doi.org/10.31022/b043
https://doi.org/10.31022/b043
Autor:
Michael Talbot, Tomaso Albinoni
Albinoni's solo cantatas contain some of his most imaginative and skillfully written music. The twelve works in his virtually unknown opus 4, six for soprano and six for alto, are good specimens both of Albinoni's work in the domain of the solo canta
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d316324507e777c610386a991644068b
https://doi.org/10.31022/b031
https://doi.org/10.31022/b031
Autor:
Tomaso Albinoni
These six sonatas and six suites demonstrate the expansive lyricism and the contrapuntal texture characteristic of Italian chamber music in the early 1700s. In the fast movements of the sonatas, the soloists play in canon, with occasional imitation i
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e30296c27ecde0c252d08032cb1d3476
https://doi.org/10.31022/b051
https://doi.org/10.31022/b051
Publikováno v:
Notes. 34:461
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8cbd853f210c004db552bcde6330ad82
https://doi.org/10.2307/897648
https://doi.org/10.2307/897648
Autor:
Tomaso Albinoni, Siegfried Petrenz, Karl Röhrig, Armando Fiabane, Paul Brainard, Francesco Antonio Bonporti, Walter Kolneder, Judson Griffin
Publikováno v:
Notes. 44:159
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8f2ff232b01148a3ed8ea678c2da9094
https://doi.org/10.2307/941007
https://doi.org/10.2307/941007
Autor:
Bassani, Giovanni Battista, ca., Alessandro Scarlatti, Claudio Monteverdi, Francesco Gasparini, Vittorio Negri, Francesco Maria Veracini, Giovanni Battista Pergolesi, Antonio Maria Bononcini, Tomaso Albinoni, Giuseppe Aldrovandini, Caccini, Giulio, ca.
Publikováno v:
Notes. 14:614
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f925b2639f2c36ed0c2b12f9cf097b1e
https://doi.org/10.2307/893731
https://doi.org/10.2307/893731
Autor:
H. Wiley Hitchcock, Giuseppe Torelli, Jean Berger, Walter Kolneder, Tomaso Albinoni, Antonio Vivaldi, Johann Joachim Quantz, Hanns-Dieter Sonntag, William Boyce, Denis Stevens, Johann Christian Bach, Raymond Meylan
Publikováno v:
Notes. 17:316
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::051ed469df7326da4cab4d7a16191ea0
https://doi.org/10.2307/893258
https://doi.org/10.2307/893258