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pro vyhledávání: '"Tom Perchard"'
Autor:
Tom Perchard
How did French musicians and critics interpret jazz—that quintessentially American music—in the mid-twentieth century? How far did players reshape what they learned from records and visitors into more local jazz forms, and how did the music figur
This is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It treats those forms as inextricably intertwined, and sets them in a wide variety of social and critical contexts.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1953191320ffce7c08d49854a2136ec0
https://doi.org/10.1017/9781108680899
https://doi.org/10.1017/9781108680899
Autor:
Tom Perchard
Publikováno v:
Popular Music. 37:136-139
Autor:
Tom Perchard
Publikováno v:
Twentieth-Century Music. 14:335-343
Popular music and society had been thought inseparable long before the union was made official, at first in the title of pop's original academic journal (1971), later in that of a much-taught textbook (1995). In many minds at late century, sociologie
Autor:
Devon Powers, Tom Perchard
Publikováno v:
Popular Music. 36:1-5
Introduction to special issue
Autor:
Tom Perchard
Publikováno v:
Popular Music. 36:55-74
This article takes an imagined, transnational living room as its setting, examining jazz's place in representations of the ‘modern’ middle-class home across the post-war West, and exploring the domestic uses that listeners both casual and committ
Autor:
Tom Perchard
Publikováno v:
The Routledge Companion to Jazz Studies ISBN: 9781315315805
One of the oldest features of jazz performance, and one of the most enduring tropes in jazz criticism, is that of the “vocalized tone.” At least since the turn of the twentieth century, a great many musicians, especially wind players, have develo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::9f69f83a22f92b5ba21a5e5ef94a341b
Autor:
Tom Perchard
Publikováno v:
Journal of the Society for American Music. 9:321-348
Contemporary music historians have shown how taxonomic divisions of humanity—constructed in earnest within European anthropologies and philosophies from the Enlightenment on—were reflected in eighteenth- and nineteenth-century theories of musical
Autor:
Tom Perchard
This article explores the ways in which audio in the home was figured in (and helped shape) changing consumer and gender roles in post-war Britain. It looks at the ways in which innovations in home-furnishing and audio-equipment design and manufactur
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::8d905ea764b421279b12711527b69dd9
https://research.gold.ac.uk/id/eprint/19895/1/audio.pdf
https://research.gold.ac.uk/id/eprint/19895/1/audio.pdf