Zobrazeno 1 - 10
of 29
pro vyhledávání: '"Tiziana Morosetti"'
Autor:
Tiziana Morosetti
Publikováno v:
19, Vol 0, Iss 24 (2017)
It has been said that ‘melodramatic music, just as melodramatic incidents, characters, and dialogue, could be readily assembled from ready-made parts, even as mosaics are fashioned from ready-cut chips of coloured tile’. The trend to borrow from
Externí odkaz:
https://doaj.org/article/b8366706cb5245fe8ad94d109c090369
Autor:
Tiziana Morosetti, Osita Okagbue
Publikováno v:
The Palgrave Handbook of Theatre and Race ISBN: 9783030439569
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::89bdcd474804cfa099d8f4c4e863db57
https://doi.org/10.1007/978-3-030-43957-6_1
https://doi.org/10.1007/978-3-030-43957-6_1
Autor:
Tiziana Morosetti
Publikováno v:
The Palgrave Handbook of Theatre and Race ISBN: 9783030439569
This chapter examines representations of blackness on the Victorian stage that follow the publication (and adaptation for the stage) of Uncle Tom’s Cabin (1852), focusing on the legacy of the ‘minstrelised’ stereotype promoted by blackface mins
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9f3a4c31d8c4e36d91a6e33a6c8a2a10
https://doi.org/10.1007/978-3-030-43957-6_20
https://doi.org/10.1007/978-3-030-43957-6_20
Autor:
Tiziana Morosetti, Osita Okagbue
The first comprehensive publication on the subject, this book investigates interactions between racial thinking and the stage in the modern and contemporary world, with 25 essays on case studies that will shed light on areas previously neglected by
Autor:
Tiziana Morosetti
Lord Byron’s Mazeppa (via Henry Milner’s 1831 adaptation) and ‘Monk’ Lewis’s Timour the Tartar (1811) had a decisive, although at times elusive influence on Victorian playwrights such as Gilbert Abbott à Beckett, John Oxenford, Francis Bur
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::2d99cfe69838e6292aa759b832e629e2
https://doi.org/10.1177/1748372716636550
https://doi.org/10.1177/1748372716636550
Autor:
Tiziana Morosetti
Publikováno v:
Africa on the Contemporary London Stage ISBN: 9783319945071
This interview discusses Ade Solanke’s career as a playwright and founder of Spora Stories, with focus on the genesis and reception of Pandora’s Box, the challenge of conveying issues specific to the Nigerian diaspora on the London stage, the pre
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1121e416a1b5b6974252ef3a9b05b242
https://doi.org/10.1007/978-3-319-94508-8_11
https://doi.org/10.1007/978-3-319-94508-8_11
Autor:
Tiziana Morosetti
Publikováno v:
Africa on the Contemporary London Stage ISBN: 9783319945071
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::483735a5e6c5ba28e733ae9c0b9d4029
https://doi.org/10.1007/978-3-319-94508-8_1
https://doi.org/10.1007/978-3-319-94508-8_1
Autor:
Tiziana Morosetti
Publikováno v:
Africa on the Contemporary London Stage ISBN: 9783319945071
The interview discusses Agboluaje’s work with London venues such as Ovalhouse, Soho Theatre, and Arcola Theatre, focusing on productions of Early Morning, The Estate, Iya-Ile, The Hounding of David Oluwale, and New Nigerians in particular. The rece
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b1b89137e4fb663a219c6c6ad13be03c
https://doi.org/10.1007/978-3-319-94508-8_13
https://doi.org/10.1007/978-3-319-94508-8_13
Autor:
Tiziana Morosetti
Publikováno v:
Africa on the Contemporary London Stage ISBN: 9783319945071
The Royal Court Theatre has provided a launching pad for a variety of authors from Africa or, more recently, of African descent. This chapter explores the dynamics behind half a century of performing Africa at the Royal Court, with specific reference
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4ed1863905fad4abc5c62f6da2747998
https://doi.org/10.1007/978-3-319-94508-8_4
https://doi.org/10.1007/978-3-319-94508-8_4