Zobrazeno 1 - 10
of 19
pro vyhledávání: '"Timothy Scheie"'
Autor:
Timothy Scheie
Throughout his career, famed critical theorist Roland Barthes (1915-1980) had a complex and often uneasy relationship with theatre and performance. From his early theatre criticism, through his abrupt and enigmatic silence on theatre, to the theoreti
Autor:
Timothy Scheie
Publikováno v:
Studies in French Cinema. 19:103-121
French Western films land in a blind field in accounts of both film genre and national film industries. Genre studies often place a strong focus on Hollywood, while there remains a tendency to favo...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f068fdfe11a5d415f5db34537e3fd84b
https://doi.org/10.1080/14715880.2017.1383797
https://doi.org/10.1080/14715880.2017.1383797
Autor:
Timothy Scheie
Publikováno v:
Screen. 57:316-335
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::332955fdb79f34f82f9f7ec074fdf670
https://doi.org/10.1093/screen/hjw029
https://doi.org/10.1093/screen/hjw029
Autor:
Kevin Aho, Erik Bleich, Ioana Boghian, Viola Brisolin, Mihaela Culea, Liviu Drugus, Georgina Evans, Tim Harris, William M. Hawley, Marcel Herbst, Raphael Israeli, Mary Helen Kolisnyk, André Mineau, Nadia Nicoleta Morarasu, Darryl J. Murphy, Jeff Noonan, Marianna Papastephanou, Jean Elisabeth Pedersen, Brayton Polka, Chiara Rabbiosi, Timothy Scheie, Richard Shorten, Arthur B. Shostak, Stanley Shostak, Marcia Landy, Hans-Peter Söder, Lavinia Stan, Lisa M. Steinman, K. Steven Vincent, Ann Ward, Samuel C. Wheeler Iii
Publikováno v:
The European Legacy. 16:811-846
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::12825df3539a8a6388d65f3fa863de69
https://doi.org/10.1080/10848770.2011.608256
https://doi.org/10.1080/10848770.2011.608256
Autor:
Timothy Scheie
Publikováno v:
SubStance. 40:148-151
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ac8a1fc8598f2abda776978efd2959bf
https://doi.org/10.1353/sub.2011.0019
https://doi.org/10.1353/sub.2011.0019
Autor:
Timothy Scheie
Publikováno v:
French Forum. 30:79-96
In the 1950s, at a time when television is in its infancy and Hollywood imports dominate the cinema, theater in France retains recognition as an essential and vital national forum. Looking back on these years Jean Duvignaud asks: "peut-on concevoir,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::85484c1c81db7a97c6e37d0a81f3915d
https://doi.org/10.1353/frf.2005.0041
https://doi.org/10.1353/frf.2005.0041
Autor:
John Fuegi, Rosalind Kerr, Timothy Scheie, Diana Taylor, Jonathan Chambers, Philip Kolin, George Crandell, Melanie Blood, stephen Bottoms, Mark Fortier
Publikováno v:
Modern Drama. 44:247-272
Carol Martin and Henry Bial, eds., Brecht Sourcbook, reviewed by John Fuegi Joseph Farrell and Antonio Scuderi, eds., Fo: Stage, Text, and Tradition, reviewed by Rosalind Kerr, David Williamd, eds., aborative Theatre: The Thetitre du Soleil Sourceboo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::54751c2a15af74c3d735c86932cea8f3
https://doi.org/10.3138/md.44.2.247
https://doi.org/10.3138/md.44.2.247
Autor:
Timothy Scheie
Publikováno v:
Theatre Journal. 52:161-181
Darius, a part that had always given me terrible stage fright, had two long declamations in which I was likely to forget my lines: I was fascinated by the temptation of thinking about something else. Through the tiny holes of the mask, I could see on
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::65fdf82369cf33bd4c55527330f150fa
https://doi.org/10.1353/tj.2000.0058
https://doi.org/10.1353/tj.2000.0058
Autor:
Timothy Scheie
Publikováno v:
Modern Drama. 42:1-15
"Bellwether," "watershed," "crossroads," "turning point": with these and other ponderous terms, critics have hailed Mart Crowley's 1968 The Boys in the Band as the breakthrough production that brought frank and direct representations of homosexuality
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6e66d53b19add674f7c216b735215970
https://doi.org/10.3138/md.42.1.1
https://doi.org/10.3138/md.42.1.1
Autor:
Timothy Scheie
Publikováno v:
Text and Performance Quarterly. 17:153-169
A recent protest over a proposed production of The Merchant of Venice questioned the extent to which the stage can incite critical thinking in the spectator while repeating a potentially offensive characterization of identity. To answer such concerns
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::606a0e0f98063a9c24432922a5d41747
https://doi.org/10.1080/10462939709366179
https://doi.org/10.1080/10462939709366179