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of 95
pro vyhledávání: '"Timothy D. Taylor"'
Autor:
Timothy D. Taylor
Publikováno v:
Avant, Vol IV, Iss 3/2013, Pp 245-265 (2013)
This paper revisits an old question that neither I nor anyone has been able to answer very well, namely, why is it that nineteenth century composers, who had fairly easy access to nonwestern musics in notation, rarely quoted them? But by the early tw
Externí odkaz:
https://doaj.org/article/b5f58b8ef9b0437e9386e645bc41f747
Autor:
Timothy D. Taylor
Publikováno v:
Current Musicology, Iss 70 (2000)
It is always easy to quibble with collections of previously published materials over the important writings that are excluded and those that are included. But Derek B. Scott clearly made some rather curious decisions in compiling this reader (decisio
Externí odkaz:
https://doaj.org/article/aff0a073d76145a99d98a34f6e2303a8
Autor:
Timothy D. Taylor
In music studies, Timothy D. Taylor is known for his insightful essays on music, globalization, and capitalism. Music in the World is a collection of some of Taylor's most recent writings—essays concerned with questions about music in capitalist cu
Autor:
Timothy D. Taylor
From the early days of radio through the rise of television after World War II to the present, music has been used more and more to sell goods and establish brand identities. And since the 1920s, songs originally written for commercials have become p
Autor:
Timothy D. Taylor
In Working Musicians Timothy D. Taylor offers a behind-the-scenes look at the labor of the mostly unknown composers, music editors, orchestrators, recording engineers, and other workers involved in producing music for films, television, and video gam
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::294d3b5991cb8343257f8429b3e5e6d9
https://doi.org/10.2307/jj.1544780
https://doi.org/10.2307/jj.1544780
Autor:
Timothy D. Taylor
Publikováno v:
The Oxford Handbook of Global Popular Music ISBN: 9780190081379
This chapter makes a plea for more empirically grounded studies of globalization, offering a case study of the rise of the international music industry in the early twentieth century in East Asia. The invention of technology that made possible the ma
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ebd60d6d548e6824d0537a70077b3b6a
https://doi.org/10.1093/oxfordhb/9780190081379.013.71
https://doi.org/10.1093/oxfordhb/9780190081379.013.71
Autor:
Timothy D. Taylor
Publikováno v:
Yearbook for Traditional Music. 52:246-249
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::db4947d28390a74f5e969a39de40fc84
https://doi.org/10.1017/ytm.2020.22
https://doi.org/10.1017/ytm.2020.22
Autor:
Timothy D. Taylor
In Making Value, Timothy D. Taylor examines how people's conceptions of value inform and shape their production and consumption of music. Drawing on anthropological value theory, Taylor theorizes music's economic and noneconomic forms of value both e
Autor:
Timothy D. Taylor
Publikováno v:
The Oxford Handbook of Music and Advertising ISBN: 0190691247
This chapter considers how musicians and others create or increase the economic value of cultural commodities. There are two means discussed here: the first is supply chain capitalism as theorized by Anna Tsing, in which value is created at various n
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::38824d55f6e56d9e239a486f92e17c8e
https://doi.org/10.1093/oxfordhb/9780190691240.013.16
https://doi.org/10.1093/oxfordhb/9780190691240.013.16
Autor:
Timothy D. Taylor
In Working Musicians Timothy D. Taylor offers a behind-the-scenes look at the labor of the mostly unknown composers, music editors, orchestrators, recording engineers, and other workers involved in producing music for films, television, and video gam