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pro vyhledávání: '"Timothy C. Campbell"'
Autor:
Timothy C. Campbell
Over the last five years, corporations and individuals have given more money, more often, to charitable organizations than ever before. What could possibly be the downside to inhabiting a golden age of gift-giving? That question lies at the heart of
Autor:
Timothy C. Campbell, Grant Farred
A provocative and unconventional call to dispossess the self of itself Challenging the contemporary notion of “self-care” and the Western mania for “self-possession,” The Comic Self deploys philosophical discourse and literary expression to p
Autor:
Timothy C. Campbell
Techne of Giving intervenes in two debates: the first, the relation between an affirmative biopolitics and biopower; and the second, how cinema, Italian cinema especially, can provides fresh perspectives on how to engage generously with biopolitical
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::e2adf7c6f654bd4c4d7f5c2c47bde761
https://doi.org/10.1515/9780823273287
https://doi.org/10.1515/9780823273287
Autor:
Timothy C. Campbell
Publikováno v:
Systems of Life
This chapter aims to measure the biopolitical stakes of Darwin’s thinking of variability and natural selection in a historical ontology of ourselves today. When most contemporary ontologies point to catastrophe and mass extinction, what kinds of ae
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::f4c38dc098670acec34bbeee9358f386
https://doi.org/10.2307/j.ctv7cjv4k.12
https://doi.org/10.2307/j.ctv7cjv4k.12
Autor:
Timothy C. Campbell
The second chapter is an attempt to read the cinematic apparatus as offering an affirmative response to biopower and mythic violence through the interplay of the visible and invisible. Beginning with a number of classic readings of the cinematic appa
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0fb530ff4930afa5ed96582d846cff69
https://doi.org/10.5422/fordham/9780823273256.003.0002
https://doi.org/10.5422/fordham/9780823273256.003.0002
Autor:
Timothy C. Campbell
Roberto Rossellini’s Germany Year Zero is the subject of this chapter, in which the relation of the generous form of life to play is analysed in a milieu of ingratitude and mythic violence. The central figure of the film, the boy Edmund, is read as
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3fcbc59a04cfa43049a957ea12fd8580
https://doi.org/10.5422/fordham/9780823273256.003.0004
https://doi.org/10.5422/fordham/9780823273256.003.0004
Autor:
Timothy C. Campbell
This brief chapter summarizes the book’s argument as essentially the following: in a number of films from Italy, a drama is played out between the camera’s power to make visible forms of life and those filmed who are able to play with the cinemat
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4654c70ccb007c597683681133f79def
https://doi.org/10.5422/fordham/9780823273256.003.0006
https://doi.org/10.5422/fordham/9780823273256.003.0006
Autor:
Timothy C. Campbell
In this chapter, the first of three dedicated to films from post–World War II Italy, Luchino Visconti’s The Earth Trembles becomes the locus for a reflection on the relation among gesture, generosity, and landscape. The visual weight of the Cyclo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fd403c51b45fa6354e018d04483b0617
https://doi.org/10.5422/fordham/9780823273256.003.0003
https://doi.org/10.5422/fordham/9780823273256.003.0003