Zobrazeno 1 - 10
of 68
pro vyhledávání: '"Thomas McGeary"'
Autor:
Thomas McGeary
Publikováno v:
Revue LISA, Vol 6, Pp 36-60 (2008)
En Angleterre, les opéras et les chanteurs italiens ont été, dès le départ, objets de ridicule et d’invectives. Cependant, les sommes d’argent importantes, le soutien et le mécénat dont cet art bénéficia de la part des élites intellectu
Externí odkaz:
https://doaj.org/article/799d883b74cd4d579d61685ed562d04e
Autor:
Thomas McGeary
Publikováno v:
Revue LISA, Vol 4, Pp 5-19 (2006)
L’opéra italien chanté de bout en bout apparut pour la première fois en Grande-Bretagne en 1705 et rencontra rapidement des détracteurs du fait de son caractère prétendument irrationnel, sensuel, efféminé, et de la menace qu’il constituai
Externí odkaz:
https://doaj.org/article/6f037da8b157402b820b4d3f694cf57c
Autor:
Thomas McGeary
Publikováno v:
Revue LISA, Vol 2, Pp 19-28 (2004)
En Angleterre, où l’on se passionne pour l’opéra italien depuis le début du dix-huitième siècle, l’arrivée du castrat italien Farinelli en 1734 déchaîne les passions les plus vives. Les pamphlets et satires qui prirent le chanteur pour
Externí odkaz:
https://doaj.org/article/e2559b86e1564a5f94477029e4f3bf18
Autor:
Thomas McGeary
The Politics of Opera in Handel's Britain examines the involvement of Italian opera in British partisan politics in the first half of the eighteenth century, which saw Sir Robert Walpole's rise to power and George Frideric Handel's greatest period of
Autor:
Thomas McGeary
Explores the political meanings that Italian opera - its composers, agents and institutions - had for audiences in eighteenth-century Britain.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::b06b53d63af8404993feeb93803eed73
https://doi.org/10.1017/9781800105942
https://doi.org/10.1017/9781800105942
Autor:
Thomas McGeary
Publikováno v:
Early Music. 49:101-128
The Grand Tour was the highpoint of the education of the sons of many members of the British upper classes. Despite its contributions to British culture, the Tour came in for contemporary objection and satire. More recently Richard Leppert has used h
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c90f176624aec1962b4db9fe05c8c657
https://doi.org/10.1093/em/caab023
https://doi.org/10.1093/em/caab023
Autor:
Thomas McGeary
Publikováno v:
Early Music. 48:91-104
John Vanbrugh opened his new theatre in London’s Haymarket in April 1705. In 1976 Judith Milhous located (at the University of Nottingham) a list of subscribers to the project and (at the British Library) the contract between Vanbrugh and the Duke
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6c32a91443b3acbb7e6732e0f045507b
https://doi.org/10.1093/em/caaa002
https://doi.org/10.1093/em/caaa002
Autor:
Thomas McGeary
Explores the intersection of the world of opera, literature, and partisan politics to show how Italian opera was put to use in the'culture wars'of the day.This last of a trilogy of books on opera and politics in Britain examines the cultural politics
Autor:
Thomas McGeary
Publikováno v:
Early Music. 46:653-674
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6d3a9d04d6d6fa59b33cac215a3c58f0
https://doi.org/10.1093/em/cay081
https://doi.org/10.1093/em/cay081