Zobrazeno 1 - 10
of 58
pro vyhledávání: '"Thomas Golsenne"'
Autor:
Thomas Golsenne
Publikováno v:
Déméter, Iss 9 (2023)
Dans Les furtifs, son roman paru en 2019, Alain Damasio se sert de la philosophie deleuzienne pour imaginer un monde dystopique où le devenir constitue une force de résistance dans un monde dématérialisé, dévitalisé. Au devenir-animal de Deleu
Externí odkaz:
https://doaj.org/article/d7d3256c7f284701bcc28c610f1d3651
Autor:
Francesca Cozzolino, Thomas Golsenne
Publikováno v:
Images Re-Vues, Vol 7 (2019)
Externí odkaz:
https://doaj.org/article/ccf4d3c1cf5741c1bc8f3345a5b800af
Autor:
Chloé Maillet, Thomas Golsenne
Publikováno v:
Images Re-Vues, Vol 16 (2019)
Les rythmes au Moyen Âge de Jean-Claude Schmitt are amongst these books that can open a historiographical field, demonstrating the diachronical examination of an object which as intangible as the notion of joint rhythm of the body, of the world, and
Externí odkaz:
https://doaj.org/article/b473c07e205f4ae2b738bf6cf181d617
Autor:
Thomas Golsenne, Chloé Maillet
Publikováno v:
Images Re-Vues, Vol 6 (2018)
Externí odkaz:
https://doaj.org/article/3ebf7e9ad0c247059edea3e1f0135646
Autor:
Thomas Golsenne, Chloé Maillet
Publikováno v:
Images Re-Vues, Vol 6 (2018)
Review of Horst Bredekamp, Théorie de l’acte d’image : conférences Adorno, Francfort 2007, traduit par Frédéric Joly et Yves Sintomer, Paris, la Découverte, 2015, 376 p.
Externí odkaz:
https://doaj.org/article/6978a610748c4de0b01f1b86f893009f
Autor:
Thomas Golsenne
Publikováno v:
Images Re-Vues, Vol 10 (2012)
Externí odkaz:
https://doaj.org/article/d4237dcea3cf4a6087fadbab6ba19e48
Autor:
Thomas Golsenne
Publikováno v:
Images Re-Vues, Vol 9 (2011)
Studying Carlo Crivelli’s painting and carrier focusing on kinship appears full of perspectives. Starting from the interpretation formulated by Deleuze and Guattari about alliance as a form of creation, I try to analyse how Crivelli has actually el
Externí odkaz:
https://doaj.org/article/e556882e2b8b4b71b89ff1fb3af9c55c
Autor:
Thomas Golsenne
Publikováno v:
L'Atelier du CRH, Vol 6 (2010)
Many years have past since art history has witnessed the emergence of a new field of research: the anthropology of images. The word “image” seems more historically and anthropologically appropriate than “art,” a term too closely defined by th
Externí odkaz:
https://doaj.org/article/fd66f33c4f79449f8cc8deabb4c1d7ce
Autor:
Guillaume Désanges, Thomas Golsenne
Publikováno v:
Images Re-Vues, Vol 10
Guillaume Désanges, art curator, is asked by Thomas Golsenne, art historian, to explain his understanding of ornament as modernism “dark side” and its analytical use by contemporary artists as Corey McCorkle or Isabelle Cornaro. A matter that he
Externí odkaz:
https://doaj.org/article/7b96c66c6baa4e0a8fffc2f3cc00dc8c
Autor:
Thomas Golsenne
Publikováno v:
Images Re-Vues, Vol 10
This introduction to Inactualité de l'ornement forms an attempt to understand, along a wide temporal range and in an European context, how ornament has been understood according to a moral scale and how, since approximately the second half of the ni
Externí odkaz:
https://doaj.org/article/be46cf680ab040b6907ceb325a801f1e