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Autor:
Thomas B. Yee
This chapter explores the evolution of musical gender representation in the 33-year Final Fantasy series. From the series' genesis, musical character themes were linked with musical tropes of conventional femininity borrowed from opera and film music
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cc387336b36d0acfb387f6061ace57c4
https://doi.org/10.1386/9781789385540_10
https://doi.org/10.1386/9781789385540_10
Autor:
Thomas B. Yee
Publikováno v:
Journal of Sound and Music in Games. 1:2-19
“God is dead,” declared philosopher Friedrich Nietzsche, “… and we have killed him” (1887)—a proclamation that numerous video game protagonists could aptly say by journey's end. The prominent god-slayer trope in video game storylines cast
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1cba52dfa9ea2e4140a8c4af789406a0
https://doi.org/10.1525/jsmg.2020.1.1.2
https://doi.org/10.1525/jsmg.2020.1.1.2
Autor:
Thomas B. Yee
This book provides semiotically-focused analyses and interpretations of video game music, focusing specifically on musical representation of three demographic diversity traits. Adopting a narratologist orientation to supplement existing ludological s