Zobrazeno 1 - 10
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pro vyhledávání: '"Thomas A. Dowson"'
Autor:
Thomas A. Dowson
Publikováno v:
Cambridge Archaeological Journal. 19:378-387
The shamanistic interpretation of hunter-gatherer rock arts has in recent years been heavily criticized. Much of this criticism draws on some of the same fundamental flaws in the shamanistic approach to understanding rock arts. In this article I brie
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::72b9e9f433d53dcf20594a611c5ab792
https://doi.org/10.1017/s0959774309000560
https://doi.org/10.1017/s0959774309000560
Autor:
Thomas A. Dowson
Publikováno v:
World Archaeology. 32:161-165
(2000). Why queer archaeology? An introduction. World Archaeology: Vol. 32, Queer Archaeologies, pp. 161-165.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::07eb7d5cb47a4d11f7da2064a5942e27
https://doi.org/10.1080/00438240050131144
https://doi.org/10.1080/00438240050131144
Autor:
Thomas A. Dowson
Publikováno v:
World Archaeology. 29:333-343
The interpretation of shamanic art runs into a number of hermeneutic problems. Most noticeably, hallucinatory images are perceived as graphic metaphors produced simply to explain shamans' experiences in the spirit-world. Interpretations along these l
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0b8d1ab716c101ca919adde50cfead2d
https://doi.org/10.1080/00438243.1998.9980383
https://doi.org/10.1080/00438243.1998.9980383
Autor:
Thomas A. Dowson
Publikováno v:
World Archaeology. 25:332-345
This paper outlines a new role for rock art in the writing of southern African history. The old view of the art as a pictorial record of Stone Age life needs to be discarded. What has been learned about southern African rock art has raised the status
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e6ae04a626b968b88399f4b4f0c2a465
https://doi.org/10.1080/00438243.1994.9980249
https://doi.org/10.1080/00438243.1994.9980249
Publikováno v:
African Studies. 53:3-38
A celebrated and widely published work of art, long regarded as a copy of a Southern African rock painting, depicts a hunter disguised as an ostrich and stalking a troop of these birds. The ‘copy’, first published in 1905, is part of a collection
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::18b3b5a3538ca6647f068fb36bf24b58
https://doi.org/10.1080/00020189408707787
https://doi.org/10.1080/00020189408707787
Autor:
Thomas A. Dowson
Publikováno v:
Antiquity. 67:641-644
A different vision from southern Africa challenges Mazel's view of the region's archaeology, and of the place for rock art in knowing its history.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::478139e0fc6cdcb69721ff565d986c9b
https://doi.org/10.1017/s0003598x00045877
https://doi.org/10.1017/s0003598x00045877
Autor:
Thomas A. Dowson, J. D. Lewis-Williams
Publikováno v:
Current Anthropology. 34:55-65
L'A. fait une etude critique du modele neuropsychologique pour expliquer quelques aspects de la vision de l'art megalithique et des phenomenes geometriques entoptiques.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::51e14211072c30b765fb81da05191770
https://doi.org/10.1086/204136
https://doi.org/10.1086/204136