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of 21
pro vyhledávání: '"Theresa Enos"'
Autor:
Theresa Enos
Publikováno v:
Academic Advancement in Composition Studies ISBN: 9781003421900
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4355a8e1e4f2ffd837c824916ce360ba
https://doi.org/10.4324/9781003421900-11
https://doi.org/10.4324/9781003421900-11
Autor:
Theresa Enos, Keith D. Miller, Jeff Rice, James S. Baumlin, Jennifer Jacovitch, Rosanne Carlo, Geoffrey Sirc
Publikováno v:
Rhetoric Review. 32:1-26
Introduction: The Hunt for Traces of Remnants [T]here are remnants around me, or traces of remnants—misunderstood and misremembered moments and events, ghostly presences, hazy icons. I'm such a tra...
Autor:
Rosanne Carlo, Theresa Enos
Publikováno v:
Rhetoric Review. 30:208-227
The discipline of rhetoric and composition is experiencing a change in its core curricula as graduate programs are replacing a traditional set of core courses with a more customizable, elective plan of study that focuses on specializations. Graduate
Publikováno v:
Rhetoric Review. 27:331-340
Autor:
Karen P. Peirce, Theresa Enos
Publikováno v:
Rhetoric Review. 25:204-210
This essay analyzes curricula and textbooks currently used in graduate programs in rhetoric and composition. Drawing on data from a web-based survey of 592 faculty in rhetoric and composition, we raise two main questions: How adequately are graduate
Publikováno v:
Rhetoric Review. 24:5-12
Publikováno v:
Rhetoric Review. 18:233-242
(2000). The arrival of rhetoric in the twenty‐first century: The 1999 survey of doctoral programs in rhetoric. Rhetoric Review: Vol. 18, No. 2, pp. 233-242.
Publikováno v:
Rhetoric Review. 12:240-389
(1994). Doctoral programs in rhetoric and composition: A catalog of the profession. Rhetoric Review: Vol. 12, No. 2, pp. 240-389.
Autor:
Theresa Enos
Publikováno v:
Rhetoric Society Quarterly. 20:339-346
"The death of the author" is a familiar refrain among poststructuralists, a phrase used to mean nonhermeneutic approaches to texts"a label against which to react in the name of the historical subject" (Kamuf 5). Probably the source of this controvers